The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edgesHalfer, Josef
Science
The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edges
Halfer, Josef
Marbled papers; Marbling (Bookbinding)
A bristle brush 3 inches long and from 2 to 2-1/2 inches thick is bound
by a well waxed packing-thread about 1-1/4 inches from the top so that
the bristles are open for a length of 1-3/4 inches. This brush is very
well adapted for distributing the drops.
In marbling large lots of books, large broom-corn whisks are profitably
used for throwing on the body color or sprinkling water. Being possessed
of the above mentioned utensils which only are expensive at first,
nothing is further necessary for the production of beautiful edges.
THE BOOK CLAMP.
[Illustration]
The clamp is used to hold several books together which are to be
immersed at the same time into the marbling trough. They are of iron
entirely, are eccentrical in their movement and make a very quick
handling and an easier holding of the books possible.
APPARATUS FOR THROWING ON COLORS.
For the purpose of producing nonpareil marble an equal distribution of
color is desirable.
[Illustration]
It consists of four small color receptacles and apparatus from which
protrude needles equi-distant from each other in the form of a rake.
The throwing of marble-colors at equal distances and in equally large
drops on the size is made possible by it in a very certain and easy way
and is even a good help to the inexperienced marbler in the production
of even and exemplary edges. For the production of comb-marble on a
large scale this apparatus is especially profitable as by using it much
time is saved.
Table I. TRYING OF COLORS.
[Illustration: Trying of Colors for Nonpareil Marble.
Black 3 to 4-1/2 inches in diameter. Blue, yellow and red in rings
within each other.
_See Page 105._]
Table II. TRYING OF COLORS.
[Illustration: Size too consistent.
Result of drawing the colors with a stylus.
_See Page 104._]
Table III. THROWING ON OF COLORS.
[Illustration: Ribbon-like Throwing on of Colors.
[First color] for Nonpareil Marble.
_See Page 105._]
Table IV. THROWING ON OF COLORS.
[Illustration: Throwing on of the other colors for Nonpareil Marble.
[Ribbon-like in two stripes.]
_See Page 106._]
Table V. DRAWING WITH THE STYLUS.
[Illustration: Drawing of the colors thrown on
[see preceding table] for Nonpareil or Comb Marble.
_See Page 106._]
Table VI. NONPAREIL MARBLE.
[Illustration: NARROW COMB.]
[Illustration: WIDE COMB.]
[Illustration: NARROW AND WIDE COMB.]
[Illustration: COMB DRAWN BACK.]
[Illustration: DOUBLE COMB.]
[Illustration: COMB DRAWN CROSSWISE.]
Table VII. PEACOCK AND BOUQUET MARBLES.
[Illustration: PEACOCK MARBLE.]
[Illustration: PEACOCK MARBLE.]
[Illustration: PEACOCK MARBLE.]
[Illustration: BOUQUET MARBLE.]
[Illustration: AMERICAN MARBLE.]
[Illustration: FANCY MARBLE.]
Table VIII. HAIR-VEIN MARBLE.
[Illustration: BLACK.
_See page 148._]
[Illustration: BROWN.]
[Illustration: RED.
_See page 148._]
[Illustration: BLUE.
_See page 148._]
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