London (England) -- Fiction; Russians -- England -- Fiction
'I'm right down tired out,' he said; 'I shall sleep now.'
And sleep he did till the cold hour of the dawn, when there came a
brief waking interval, before the longest, soundest sleep of all.
He opened his eyes then.
'It's nearly over,' he said; 'my boys--my boys!'
He called for them both, but it was Dick on whose broad breast the
dying head rested. It was Dick who caught the last loving, whispered
words, felt the last faint hand pressure, soothed the last pang, caught
the last look.
For when Aunt Letitia hurried to their rooms, it was Dick who opened
his door before she reached it, and, fully dressed, sprang to his
father's bedside.
Roland was in the sound sleep that often follows violent emotion, and
it was hard to rouse him. He came in softly just as his brother laid
gently down on the pillow the worn old face, at rest at last, and
closed the kindly eyes that would never meet Roland's any more. Never
any more!
CHAPTER II.
A NARROW ESCAPE.
The curtain had fallen on the last scene of the most popular play in
London. The appreciative criticism of the pit and the tearful sympathy
of the upper boxes were alike merging in one common thought, that
of 'something nice for supper.' The gallery was already empty. Its
occupants were thirstier and more prompt of action than the loungers
in the stalls and boxes. Ladies, a little flushed by the exertion of
fighting their way through the ranks of their peers, were silently
disputing for precedence in front of the looking-glasses in the
cloak-rooms, while their cavaliers, already invested with overcoat and
wrapper, were pacing the carpeted corridor outside with a very poor
show of patience. The most impatient of them all was a stout, rubicund
old gentleman in a dark coat, who trotted fretfully up and down, and
now and then even ventured to peep in through the door at the chaos
of silks and laces, raised shawls, and suspended bonnets, in some
component part of which he evidently had an interest.
Public-domain text, read in full here on John Shaqi.
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