London (England) -- Fiction; Russians -- England -- Fiction
To be the son of a noble of high position, to be the heir to vast
estates in a western province, and to a palace in the capital, to
have large sums safely invested in foreign banks, to be surrounded by
every luxury that to most men makes life worth living, to be carefully
inoculated with all the most cherished beliefs of the territorial
aristocracy, and as carefully guarded from all liberal influences;
to be all this does not generally lead a man to be a social reformer
as well. Such causes, as a rule, do not produce a very revolutionary
effect. But in Russia, tyranny, officialism, and the supreme sway of
ignorance and brutality, seem to have reversed all ordinary rules,
and upset all ordinary calculations. There the 'gentlemen of the
pavement' are nobles, with a longer lineage than the Romanoffs, and
progressive views find some of their most doughty champions in the
ranks of the old nobility. So Count Michael Litvinoff was not such a
startling phenomenon, nor such a glaring anomaly, as he would have been
in any other country. His parents died when he was about eighteen,
and after their death he spent most of his time in close study of
physics, philosophy, and of the 'dismal science,' as expounded by its
most advanced apostles. He wrote, too, extensively, though most of
his works were published in countries where the censorship was not
quite so strict as in his own. When he was about twenty-five, and was
deep in the heart of his great work, 'The Social Enigma,' he woke up
one morning with a conviction that all his last chapters were utter
nonsense, and, what was worse, he couldn't for the life of him make out
what they meant even when he read them over. Bewildered and anxious, he
hastened to refer the matter to a personal friend and political ally,
whose answer was brief and to the point.
'Nonsense? Why, the book's as clear as daylight, and as convincing as
Euclid. You've been working too hard--overdoing it altogether. Go to
the South of France for a month, and lose a few roubles at Monte Carlo.
It will do you good.'
Michael Litvinoff took the first part of this advice; and though he did
not take the second part, he did sometimes spend an hour in watching
others lose their money.
One night he noticed a young man on whom fortune appeared to be
frowning with more than her usual persistence and bitterness. Again and
again he staked, and again and again he lost. At last he collected the
few coins that remained of the good-sized heap with which he had begun,
and staked them all. He lost again. He got up and walked out. Struck
by the wild look in his eyes, Litvinoff followed him into the gardens
of the Casino. At the end of a dark alley he stopped, pulled something
from his breast, which might have been a cigar-case, opened it, and
took out something which Litvinoff saw was not a cigar. The Count
sprang forward, and knocked the other's hand up just in time to send a
tiny bullet whizzing through the orange trees.
Public-domain text, read in full here on John Shaqi.
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