Photography -- Fiction; Science fiction; Short stories
Nugent's thin lips were tightly compressed. "The management's not happy
with you." Joey's laugh was brittle. Nugent walked slowly back to his
desk. "I've had more and more complaints about your work."
Joey was close behind him. "I take the assignments you hand me. And
there's no one on the staff gets a sharper shot."
Nugent waved this aside. "It's your manner." He pushed a glossy eight by
ten print toward the photographer. "You play up the grisly, the
macabre."
Joey stared down at the picture. A slow smile narrowed his eyes. "I
photograph what I see. I figure it's what your readers want to see,
too."
Nugent sat heavily. "We had a hundred phone calls about that picture.
Brutal ... sadistic ... morbid."
The print fell face up before Nugent. He turned it over. Joey laughed.
"Sure. It's all those things. And they loved it." He leaned very close
to Nugent. "You didn't have to print it."
"It was the only shot I had. It was print it or be scooped on one of the
big stories of the year."
Joey's outward nonchalance failed to mask entirely his inner tension.
"When I take a picture, they remember it."
"There's a difference between memorable photography and cheap
sensationalism." The editor picked up the memo with Ewing's address.
"All things considered," he said, "I think you'd better get this
interview for me."
Joey stared at Nugent for an insolent second. Then, he took the memo. He
checked the address, jammed the paper into his pocket, and moved quickly
to the door. Hand on the knob, he paused.
"Oh, Nugent," he called, "if you can't see the story I bring back, just
remember: it's in another dimension."
He slammed the door on Nugent's anger.
* * * * *
Early evening traffic was heavy as he pulled into the quiet,
old-fashioned street where Ewing lived.
Sober brownstone houses, their front steps rising steeply to stain-glass
paneled doors; heavily curtained bay windows; weather-stained and
rotting gingerbread; an atmosphere of reluctant decay and genteel
senescence. Ewing's house was like a dozen others in the same block.
Joey was not a man given to hunches, and yet, as he climbed out of his
car and stood staring up at the silent house, he could not repress a
shiver of apprehension.
He looked up the street. Nothing marred the quiet. A middle-aged woman
hurried home with her armload of groceries. A man paraded an ancient dog
on a leash.
Slowly, Joey climbed the steps. His apprehension was no more than the
resentment he felt for the assignment. He yanked the old-fashioned bell
and listened for its echoes dying deep in the house.
He fidgeted impatiently. Perhaps old Ewing wasn't at home. Or, maybe he
was so eccentric he no longer answered the bell. Joey jerked it again.
On the traffic-noisy boulevard a block away, he heard a raw squealing of
brakes.
Joey sighed and turned away. He'd wasted an hour. He started down the
steps. And the door opened.
Public-domain text, read in full here on John Shaqi.
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