The Prose of Alfred LichtensteinLichtenstein, Alfred
General
The Prose of Alfred Lichtenstein
Lichtenstein, Alfred
Fiction
The gentleman said: "Not at all. If you want to hang yourself, first
youve got to get up on the window sill. And who will open the gas
jet for you if you want to poison yourself? You could only buy a
revolver secretly through a servant. But suppose the shot misses?
To drown yourself youve got to take an automobile and have yourself
carried down to the river on a stretcher by two attendants who have
to haul you to the far bank."
I said: "Thats for me to worry about."
The gentleman said: "Youre wrong, Ive been thinking since youve
been siting here how one might get rid of you. Do you think that a
man without legs makes a sympathetic picture? Has the right to live?
On the contrary, you create a terrible disturbance for the aesthetic
feelings of your fellow human beings."
I said: "I am a full professor of ethics and aesthetics at the
university. May I introduce myself?"
The gentleman said: "How are you going to do that? Clearly you
cannot imagine how impossible you are, in your condition."
I looked sadly at my stumps.
II
Soon the lady opposite me said:
"To have no legs must be a very odd feeling."
I said: "Yes."
The lady said: "I would not like to touch a man who had no legs."
I said: "I am very clean."
The lady said: "I must overcome a great erotic disgust to speak with
you, not to mention looking at you."
I said: "Really..."
The lady said: "I dont believe that you are a criminal. You might
be a wise and, in your original condition, nice person. But I could
not, with the best will in the world, have relations with you,
because you have no legs."
I said: "One gets used to everything."
The lady said: "That a man has no legs causes a naturally sensitive
woman to feel an inexplicable, profound terror. As though you had
committed a disgusting sin."
I said: "But I am innocent. I lost one leg in the excitement of
assuming my professorial chair for the first time, the other I lost
when, sunk in thought, I found that important aesthetic law which led
to basic changes in our discipline."
The lady said: "What is the name of that law?"
I said: "The law says: everything depends on the structure of the
soul and the mind. If soul and mind are noble, a body must be
considered beautiful, no matter how humped and misshapen it may be."
The lady ostentatiously lifted her dress and revealed, right up to
the top of her thigh, sheathed sumptuously in silk, wonderful legs,
that towered, like branches, from her ripe body.
At the same time the lady finally said: "You may be right, although
one might as easily argue the opposite. In any case, a person with
legs is totally different from one without them."
Then, striding proudly away, she left me sitting there.
Savior of the theater
Theaters should stop competing with the cinema. By doing so, they
are thereby achieving --rejoice, friends of the theater the
opposite of what they want: they are perishing.
Public-domain text, read in full here on John Shaqi.
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