The Prose Works of Jonathan Swift, D.D. — Volume 10: Historical WritingsSwift, Jonathan
History
The Prose Works of Jonathan Swift, D.D. — Volume 10: Historical Writings
Swift, Jonathan
Anne, Queen of Great Britain, 1665-1714; Great Britain -- History -- Anne, 1702-1714; Spanish Succession, War of, 1701-1714
_The authors drawings of characters are confessedly partial: for he
tells us openly, he means not to give characters entire, but such parts
of each man's particular passions, acquirements, and habits, as he was
most likely to transfer into his political schemes. What writing, what
sentence, what character, can stand this torture?--What extreme
perversion may not, let me say, does not, this produce? Yet thus does he
choose to treat all men, that were not favourers of the latest measures
of the Queen, when the best that has been said for her, shows no more
than that she was blindfolded and held in leading-strings by her
ministers_.
_He does not spare a man, confessed by all the world to have discharged
the duties of his function like a soldier, like an hero. But charges
Prince Eugene with raising and keeping up a most horrible mob, with
intent to assassinate Harley. For all which odious charges he offers not
one individual point of proof_.
_He is not content with laying open again the many faults already
publicly proved upon the late Duke of Marlborough, but insinuates a new
crime, by seeming to attempt to acquit him of aspiring at the throne.
But this is done in a manner peculiar to this author_.
_On the other hand, he extols the ministers, and minions of the Queen,
in the highest terms; and while he robs their antagonists of every good
quality, generally gives those wisdom and every virtue that can adorn
human nature_.
_He is not ashamed to attempt to justify, what all thinking good men
must condemn, the Queen's making twelve peers at once, to serve a
particular turn_.
_All these may be ascribed to the strength of his passions, and to the
prejudices, early imbibed, in favour of his indulgent royal mistress and
her favourites and servants.[3] The judicious will look through the
elegant clothing, and dispassionately consider these as mere human
errors, to which no well-informed mind can assent. The editor thinks
himself bound to protest against them_.
[Footnote 3: That Swift should have a strong partiality to Harley and
St. John, by whom he was respected and trusted to a most uncommon
degree, is natural and obvious; but upon what ground Queen Anne, who
disliked his person, and obstructed his preferment, is here termed his
_indulgent_ mistress, the author of this preface ought to have
condescended to explain. [S.]]
Public-domain text, read in full here on John Shaqi.
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