The Prose Works of Percy Bysshe Shelley, Vol. 1 [of 2]Shelley, Percy Bysshe
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The Prose Works of Percy Bysshe Shelley, Vol. 1 [of 2]
Shelley, Percy Bysshe
English prose literature
The tremendous spirit of superstition, aided by drunkenness, producing
something beyond insanity, seems to have caught them in its whirlwinds,
and to bear them over the earth, as the rapid volutions of a tempest
have the ever-changing trunk of a waterspout, or as the torrent of a
mountain river whirls the autumnal leaves resistlessly along in its
full eddies. The hair, loose and floating, seems caught in the tempest
of their own tumultuous motion; their heads are thrown back, leaning
with a strange delirium upon their necks, and looking up to heaven
whilst they totter and stumble even in the energy of their tempestuous
dance.
One represents Agave with the head of Pentheus in one hand, and in the
other a great knife; a second has a spear with its pine cone, which
was the Thyrsus; another dances with mad voluptuousness; the fourth is
beating a kind of tambourine.
This was indeed a monstrous superstition, even in Greece, where it
was alone capable of combining ideal beauty and poetical and abstract
enthusiasm with the wild errors from which it sprung. In Rome it had
a more familiar, wicked, and dry appearance; it was not suited to the
severe and exact apprehensions of the Romans, and their strict morals
were violated by it, and sustained a deep injury, little analogous
to its effects upon the Greeks, who turned all things--superstition,
prejudice, murder, madness--to beauty.
On the Venus called Anadyomine.
She has just issued from the bath, and yet is animated with the
enjoyment of it.
She seems all soft and mild enjoyment, and the curved lines of
her fine limbs flow into each other with a never-ending sinuosity
of sweetness. Her face expresses a breathless, yet passive and
innocent voluptuousness, free from affectation. Her lips, without the
sublimity of lofty and impetuous passion, the grandeur of enthusiastic
imagination of the Apollo of the Capitol, or the union of both, like
the Apollo Belvidere, have the tenderness of arch, yet pure and
affectionate desire, and the mode of which the ends of the mouth are
drawn in, yet lifted or half-opened, with the smile that for ever
circles round them, and the tremulous curve into which they are wrought
by inextinguishable desire, and the tongue lying against the lower lip,
as in the listlessness of passive joy, express love, still love.
Her eyes seem heavy and swimming with pleasure, and her small forehead
fades on both sides into that sweet swelling and thin declension of
the bone over the eye, in the mode which expresses simple and tender
feelings.
The neck is full, and panting as with the aspiration of delight, and
flows with gentle curves into her perfect form.
Public-domain text, read in full here on John Shaqi.
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