The Prose Works of Percy Bysshe Shelley, Vol. 2 [of 2]Shelley, Percy Bysshe
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The Prose Works of Percy Bysshe Shelley, Vol. 2 [of 2]
Shelley, Percy Bysshe
English prose literature
It is difficult to define pleasure in its highest sense; the definition
involving a number of apparent paradoxes. For, from an inexplicable
defect of harmony in the constitution of human nature, the pain of the
inferior is frequently connected with the pleasures of the superior
portions of our being. Sorrow, terror, anguish, despair itself, are
often the chosen expressions of an approximation to the highest good.
Our sympathy in tragic fiction depends on this principle; tragedy
delights by affording a shadow of that pleasure which exists in pain.
This is the source also of the melancholy which is inseparable from
the sweetest melody. The pleasure that is in sorrow is sweeter than
the pleasure of pleasure itself. And hence the saying, “It is better
to go to the house of mourning than to the house of mirth.”[5] Not
that this highest species of pleasure is necessarily linked with pain.
The delight of love and friendship, the ecstasy of the admiration of
nature, the joy of the perception and still more of the creation of
poetry, is often wholly unalloyed.
The production and assurance of pleasure in this highest sense is true
utility. Those who produce and preserve this pleasure are poets or
poetical philosophers.
The exertions of Locke, Hume, Gibbon, Voltaire, Rousseau,[6] and their
disciples, in favour of oppressed and deluded humanity, are entitled
to the gratitude of mankind. Yet it is easy to calculate the degree
of moral and intellectual improvement which the world would have
exhibited, had they never lived. A little more nonsense would have
been talked for a century or two; and perhaps a few more men, women,
and children, burnt as heretics. We might not at this moment have been
congratulating each other on the abolition of the Inquisition in Spain.
But it exceeds all imagination to conceive what would have been the
moral condition of the world if neither Dante, Petrarch, Boccaccio,
Chaucer, Shakespeare, Calderon, Bacon, nor Milton, had ever existed;
if Raphael and Michael Angelo had never been born; if the Hebrew
poetry had never been translated; if a revival of the study of Greek
literature had never taken place; if no monuments of ancient sculpture
had been handed down to us; and if the poetry of the religion of the
ancient world had been extinguished together with its belief. The human
mind could never, except by the intervention of these excitements,
have been awakened to the invention of the grosser sciences, and that
application of analytical reasoning to the aberrations of society,
which it is now attempted to exalt over the direct expression of the
inventive and creative faculty itself.
Public-domain text, read in full here on John Shaqi.
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