The Prose Writings of Heinrich HeineHeine, Heinrich
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The Prose Writings of Heinrich Heine
Heine, Heinrich
Heine, Heinrich, 1797-1856 -- Translations into English
"Long after the troop had passed away, I remained standing at the same
spot, considering what that dance might signify. Was it a national dance
of the south of France or of Spain? In such a dance might appear the
impetuosity with which the dancer swung her little body to and fro, and
the wildness with which she often threw her head backward in the bold
way of those Bacchantes whom we gaze at with amazement on ancient vases.
There was an intoxicated absence of will about her dance, something
gloomy and inevitable; it was like the dance of fate. Or was it a
fragment of some venerable forgotten pantomime? Or was she dancing her
personal history? Often the girl bent down to the earth with a listening
ear, as though she heard a voice which spoke up to her. She trembled
then like an aspen leaf, bent suddenly to another side, went through her
maddest, most unrestrained leaps, then again bent her ear to the earth,
listened more anxiously than before, nodded her head, became red and
pale by turns, shuddered, stood for a while stiffly upright as if
benumbed, and made finally a movement as one who washes his hands. Was
it blood that so long and with such care, such horrible care, she was
washing from her hands? She threw therewith a sideward glance so
imploring, so full of entreaty, so soul-dissolving--and that glance fell
by chance upon me.
"All the following night I was thinking of that glance, of that dance,
of that strange accompaniment; and as, on the following day, I sauntered
as usual through the streets of London, I longed to meet the pretty
dancer again, and I constantly pricked my ears in case I might somewhere
hear the music of the drum and the triangle. I had at last found
something in London which interested me, and I no longer wandered
aimless through its yawning streets.
"I had just come out of the Tower, after carefully examining the axe
which cut off Anne Bullen's head, as well as the English crown-diamonds
and the lions, when in front of the Tower I caught a glimpse, amid a
crowd, of Madame with the great drum, and heard Monsieur Turlutu crowing
like a cock. The learned dog again scraped together the heroism of the
Duke of Wellington, the dwarf again showed his not-to-be-parried
_tierces_ and _quartes_, and Mademoiselle Laurence again began her
wondrous dance. There were again the same enigmatic movements, the same
speech which I could not understand, the same impetuous throwing back of
the beautiful head, the same leaning down to the earth, the anguish
which sought to soothe itself by ever madder leaps, and again the
listening ear bent to the earth, the trembling, the pallor, the benumbed
stiffness; then also the fearful mysterious washing of the hands, and at
last the imploring side-glance, which rested upon me this time still
longer than before.
Public-domain text, read in full here on John Shaqi.
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