The Prose Writings of Heinrich HeineHeine, Heinrich
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The Prose Writings of Heinrich Heine
Heine, Heinrich
Heine, Heinrich, 1797-1856 -- Translations into English
"Laurence suddenly stopped, shuddered violently, and said at last, with
a deep sigh, 'Ah, I wish they had left me in the grave with my mother!'
As I pressed her to explain these mysterious words, a stream of tears
flowed from her eyes, and, trembling and sobbing, she confessed to me
that the black woman with the drum, who gave herself out as her mother,
had once herself told her that the rumour which went about concerning
her birth was no mere story. 'For in the town where we lived,' pursued
Laurence, 'they always called me the death-child! The old woman
maintained that I was the daughter of a Count who lived there, and who
constantly ill-treated his wife, and when she died buried her very
magnificently; she was, however, near her confinement, and only
apparently dead, and when some churchyard thieves opened the grave to
strip the richly-adorned corpse, they found the countess alive and in
child-birth; and as she expired immediately after delivery, the thieves
placed her again quietly in her grave, took away the child, and gave it
to the receiver of the stolen goods, the great ventriloquist's
sweetheart, to be brought up. This poor child, who had been buried
before it was born, was everywhere called the death-child. Ah! you
cannot understand how much sorrow I felt even as a little girl when
anyone called me by that name. While the great ventriloquist was alive,
whenever he was discontented with me, he always called out, 'Cursed
death-child, I wish you had never been taken out of the grave!' He was a
skilful ventriloquist, and could so modulate his voice that it seemed to
come up out of the earth, and he told me that that was the voice of my
dead mother telling me her fate. He might well know that horrible fate,
for he had been a valet of the Count's. He took a cruel pleasure in the
horrible fright which I, poor little girl, received from the words which
seemed to ascend from the earth. These words, which seemed to ascend
from the earth, mingled together fearful tales--tales which I never
understood in their connection, and which later on I gradually forgot;
but when I danced they would again come into my mind with living power.
Yes, when I danced a singular remembrance seized me; I forgot myself,
and I seemed to be quite another person, and as if all the sorrows and
secrets of this person were poisoning me, and as soon as I left off
dancing it was all extinguished in my memory.'
Public-domain text, read in full here on John Shaqi.
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