The Prose Writings of Heinrich HeineHeine, Heinrich
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The Prose Writings of Heinrich Heine
Heine, Heinrich
Heine, Heinrich, 1797-1856 -- Translations into English
forest-glade which he had never before seen, and which was covered with
flowers that, to him, were of quite strange kind. Innumerable lamps hung
from the trees, and vases filled with blazing rosin stood on high
pedestals; the moon, too, was so bright that the fisherman could see all
that took place, as distinctly as if it had been mid-day. There were
many hundreds of young men and young women, most of them beautiful as
pictures, although their faces were all as white as marble, and this
circumstance, together with their garments, which consisted of white,
very white, tunics with purple borders, girt up, gave them the
appearance of moving statues. The women wore on their heads wreaths of
vine leaves, either natural or wrought of gold and silver, and their
hair was partly plaited over the brow into the shape of a crown, and
partly fell in wild locks on their necks. The young men also wore
wreaths of vine leaves. Both men and women swinging in their hands
golden staffs covered with vine leaves, hastened joyously to greet the
new-comers. One of the latter threw aside his cowl, revealing an
impertinent fellow of middle age, with a repulsive, libidinous face, and
pointed goat-ears, and scandalously extravagant sexuality. The second
monk also threw aside his cowl, and there came to view a big-bellied
fellow, not less naked, whose bald pate the mischievous women crowned
with a wreath of roses. The faces of the two monks, like those of the
rest of the assemblage, were white as snow. White as snow also was the
face of the third monk, who laughingly brushed the cowl from his head.
As he unbound the girdle of his robe, and with a gesture of disgust
flung off from him the pious and dirty garment, together with crucifix
and rosary, lo! there stood, robed in a tunic brilliant as a diamond, a
marvellously beautiful youth with a form of noble symmetry, save that
there was something feminine in the rounded hips and the slender waist.
His delicately-curved lips, also, and soft, mobile features gave him a
somewhat feminine appearance; but his face expressed also a certain
daring, almost reckless heroism. The women caressed him with wild
enthusiasm, placed an ivy-wreath upon his head, and threw a magnificent
leopard-skin over his shoulders. At this moment came swiftly dashing
along, drawn by two lions, a golden two-wheeled triumphal chariot.
Majestically, yet with a merry glance, the youth leaped on the chariot,
guiding the wild steeds with purple reins. At the right of the chariot
strode one of his uncassocked companions, whose lewd gestures and
unseemly form delighted the beholders, while his comrade, with the bald
pate and fat paunch, whom the merry women had placed on an ass, rode at
the left of the chariot, carrying in his hand a golden drinking-cup,
which was constantly refilled with wine. On moved the chariot, and
behind it whirled the romping, dancing, vine-crowned men and women. At
the head of the triumphal procession marched the orchestra; the pretty,
Public-domain text, read in full here on John Shaqi.
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