The Prose Writings of Heinrich HeineHeine, Heinrich
General
The Prose Writings of Heinrich Heine
Heine, Heinrich
Heine, Heinrich, 1797-1856 -- Translations into English
He too recognised me and drew me to the turf, and we sat down together
as of old, when he taught me French and Modern History on the drum. He
had still the well-known old drum, and I could not sufficiently wonder
how he had preserved it from Russian plunderers. And he drummed again as
of old, but without speaking a word. But though his lips were firmly
pressed together, his eyes spoke all the more, flashing fiercely and
victoriously as he drummed the old marches. The poplars near us
trembled, as he again thundered forth the red guillotine march. And he
drummed as before the old war of freedom, the old battles, the deeds of
the Emperor, and it seemed as though the drum itself were a living
creature which rejoiced to speak out its inner soul. I heard once more
the thunder of cannon, the whistling of balls, the riot of battle; I saw
once more the death rage of the Guards,--the waving flags, again, the
Emperor on his steed--but little by little there fell a sad tone in amid
the most stirring confusion, sounds rang from the drum, in which the
wildest hurrahs and the most fearful grief were mysteriously mingled; it
seemed a march of victory and a march of death. Le Grand's eyes opened
spirit-like and wide, and I saw in them nothing but a broad white field
of ice covered with corpses--it was the battle of Moscow.
I had never thought that the hard old drum could give forth such wailing
sounds as Monsieur Le Grand had drawn from it. They were tears which he
drummed, and they sounded ever softer and softer, and, like a troubled
echo, deep sighs broke from Le Grand's breast. And he became ever more
languid and ghost-like, his dry hands trembled, as if from frost, he sat
as in a dream, and stirred with his drum-stick nothing but the air, and
seemed listening to voices far away, and at last he gazed on me with a
deep, entreating glance--I understood him--and then his head sank down
on the drum.
In this life Monsieur Le Grand never drummed more. And his drum never
gave forth another sound; it was not destined to serve the enemies of
liberty for their servile roll calls. I had well understood Le Grand's
last entreating glance, and at once drew the sword from my cane, and
pierced the drum.
CHAPTER XI.
_Du sublime au ridicule il n'y a qu'un pas, Madame!_
But life is in reality so terribly serious, that it would be
insupportable without such union of the pathetic and the comic; as our
poets well know. The most harrowing forms of human madness Aristophanes
exhibits only in the laughing mirror of wit; Goethe only presumes to set
forth the fearful pain of thought comprehending its own nothingness in
the doggerel of a puppet show; and Shakespeare puts the most deadly
lamentation over the misery of the world into the mouth of a fool, who
rattles his cap and bells in agony.
Public-domain text, read in full here on John Shaqi.
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