The provincial American and other papersNicholson, Meredith
General
The provincial American and other papers
Nicholson, Meredith
American essays -- 20th century
The sensation awakened by the sight of utter strangers taking up your
story, tasting it warily, clinging to it if it be to their liking, or
dropping it wearily or contemptuously if it fail to please, is one of
the most interesting of the experiences of authorship. On the journey
mentioned, one man slept sweetly through what I judged to be the most
intense passage in the book; others paid me the tribute of absorbed
attention. On the ferry-boat at Jersey City, several copies of the book
were interposed between seemingly enchanted readers and the towers and
spires of the metropolis. No one, I am sure, will deny to such a poor
worm as I the petty joys of popular recognition. To see one’s tale
on many counters, to hear one’s name and titles recited on boats and
trains, to find in mid-ocean that your works go with you down to the
sea in ships, to see the familiar cover smiling welcome on the table
of an obscure foreign inn,--surely the most grudging critic would not
deprive a writer of these rewards and delights.
There is also that considerable army of readers who write to an
author in various keys of condemnation or praise. I have found
my correspondence considerably augmented by the large sales of a
book. There are persons who rejoice to hold before your eyes your
inconsistences; or who test you, to your detriment, in the relentless
scale of fact. Some one in the Connecticut hills once criticized
severely my use of “that” and “which,”--a case where an effort at
precision was the offense,--and I was involved, before I knew it, in a
long correspondence. I have several times been taken severely to task
by foes of tobacco for permitting my characters to smoke. Wine, I have
found, should be administered to one’s characters sparingly, and one’s
hero must never produce a flask except for restorative uses,--after,
let us say, a wild gallop, by night, in the teeth of a storm to relieve
a beleaguered citadel, or when the heroine has been rescued at great
peril from the clutch of the multitudinous sea. Those strange spirits
who pour out their souls in anonymous letters have not ignored me. I
salute them with much courtesy, and wish them well of the gods. Young
ladies whose names I have inadvertently applied to my heroines have
usually dealt with me in agreeable fashion. The impression that authors
have an unlimited supply of their own wares to give away is responsible
for the importunity of managers of church fairs, philanthropic
institutions, and the like, who assail one cheerfully through the
mails. Before autograph-hunters I have always been humble; I have felt
myself honored by their attentions; and in spite of their dread phrase,
“Thanking you in advance,”--which might be the shibboleth of their
fraternity, from its prevalence,--I greet them joyfully, and never
filch their stamps.
Public-domain text, read in full here on John Shaqi.
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