The Prude's Progress: A Comedy in Three Acts — John Shaqi
The Prude's Progress: A Comedy in Three ActsJerome, Jerome K. (Jerome Klapka)
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The Prude's Progress: A Comedy in Three Acts
Jerome, Jerome K. (Jerome Klapka)
Comedy plays; English drama -- 19th century
(_Smiling and kissing her._) Thank you, dear.
THEODORE TRAVERS.
Very interesting; quite worth the stairs.
MRS. KEN DIXON.
(_Aside to him._) I believe you'd make notes at your dearest friend's
death-bed!
THEODORE TRAVERS.
Why not? It couldn't hurt him, and might amuse other people. Well, may
all the joys of the world be yours, young people. Bless you both. (_He
drinks_.)
MRS. BEN DIXON.
(_Rising_.) May the Lord help you both. Ben, if you're ready, we'll go.
MR. BEN DIXON.
Quite ready, my dear.
MRS. BEN DIXON.
(_To Nelly_.) Good-bye, my dear. (_Kisses her_.) You and I must have a
long chat when you come down. Goodbye, Ted. This is what comes of
your hiding yourself to starve away from your old aunt. Good-bye, Mr.
Medbury. Good-bye, Cherry. Go on, Prim. (_Primrose goes out_) I want
to get out of this and have a think. It's old fools and young fools all
making fools of themselves together here. (_She goes out_.)
MR. BEN DIXON.
(_To Cherry_.) We are both charmed, my dear sir, charmed. I shall feel
now that there is someone to look after them, and see that they never
want for anything. I can't tell you what a relief it is to me. Good-bye,
good-bye. (_He follows out._)
THEODORE TRAVERS.
Well, good-bye, good-bye all. I'll look you up again soon. Shall be
interested to know how you all get on. (_He goes out_.)
ADAM CHERRY.
(_To Nelly._) You didn't mind my telling it, did you, dear? It had to
come out sooner or later of course. You--you're not vexed?
NELLY MORRIS.
No, Mr. Ch--Adam. Of course not.
ADAM CHERRY.
I felt as if I could not believe it myself till everybody else knew it.
(_To Jack._) Jack you haven't congratulated me.
JACK MEDBURY.
You have every reason to be congratulated, Mr. Cherry, I'm sure. (_Aside
to Nelly._) I understand, Nell. Don't worry about me. It will make me
paint all the better. (_Aside to Ted as he goes out._) Try and forget
all that nonsense I talked to you, Ted. It's better as it is. Poor
devils like you and I have no business to indulge in such luxuries as
love, and I shall---- Goodbye, old fellow. (_Grips Ted's hand and goes
out._)
ADAM CHERRY.
And now, my dear Ted, that we are alone----
TED MORRIS.
I would rather be still more alone, Mr. Cherry, if you don't mind.
Forgive me, but I want to talk to Nelly about this thing. It's rather
taken me by surprise.
ADAM CHERRY.
Certainly, my dear boy. Certainly--very natural. I'll go. You and Nelly
will come down and dine with me this evening, won't you, and we'll have
a talk then.
TED MORRIS.
Thank you. I'll let you know.
ADAM CHERRY.
Ah yes. Do; do. (_To Nelly._) _Au revoir_, my dear. Good-bye, Ted.
Good-bye. (_Goes out_.)
TED MORRIS.
(_He closes the door, and then returns. Nelly has gone to mantelpiece.
He comes to her, and, putting his hands on her shoulders, speaks very
gently_.) You've done this for me, little woman, but it must not be,
dear. Do you think that if I wouldn't ask dear old Aunt Bella for help
that I'd take it for this price?
Public-domain text, read in full here on John Shaqi.
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