But, as we have said, the count was naturally brave: it did not occur to
him either to fly or to call for help. He threw himself upon his enemy,
who, without an instant's delay, fired the second and third shots, which
whistled harmlessly by. Whether the assassin's hand trembled under
stress of emotion, or whether, as some say, Providence (which
nevertheless permitted the assassinations of Henri IV and Gustavus
Adolphus) forbade the accomplishment of such a crime, the two balls
passed right and left of von Bismarck.
Then the murderer lost courage and turned to fly. But the count seized
him by the collar with one hand and with the other clutched the barrel
of the revolver. Once again a shot was fired; the count was slightly
wounded, but kept his hold and grasped his adversary closely, throwing
him on the ground, and finally handed him over to the Prussian officers.
Seizing the favourable occasion with the promptitude of genius, he
again took his way to the palace, bent on making this event the turning
point of the situation.
This time he passed through a double avenue of spectators, whereas
previously in the public commotion no one had noticed him. It was now
otherwise--the murderer's attempt, of which he had been the object and
from which he had emerged with so much courage, attracted every one's
attention, if not their sympathy, and whether loved or not loved, all
made room and saluted him. Sympathy might be wanting, but the count
could at all events read admiration upon every face.
Von Bismarck was at this time about fifty or fifty-two; tall, with a
well-proportioned figure, slightly puffy, and almost bald except at the
temples, with a thick moustache. One of his cheeks was furrowed by a
scar, the legacy of a duel fought at the University of Göttingen.
The palace guard had already heard the news and turned out to receive
the count, who, as colonel in the Army, was entitled to this mark of
respect. He graciously responded, and went up the staircase leading to
the king's audience chamber.
As prime minister, the count had the right of entry at any time. He was
about to turn the door handle when the usher in waiting stopped him,
saying:
"His Excellency will pardon me, but the king can see no one."
"Not even me?" asked the count.
"Not even your Excellency," replied the usher with a low bow.
The count stepped backward with a movement of the lips that might have
passed for a smile, but was certainly not one. Then he began to study,
but without seeing it, a large naval picture which decorated the
ante-room, standing out by reason of its immense gilt frame from the
official green paper which adorns all the royal apartments.
Public-domain text, read in full here on John Shaqi.
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