When at last they began to comprehend and to see the hand of the nephew
of Napoleon the Great overshadowing their beloved Rhine, there arose
from one end of Unter den Linden to the other such a tempest of threats,
howls, and hurrahs, that, to borrow Schiller's lively expression, one
would have thought the encircling hoops of the heavenly concave must all
be burst asunder. Threatening toasts were called, curses shouted, and
fists shaken against offending France. A Göttingen student springing on
a table began to recite with due emphasis Rückert's ferocious poem
entitled "The Return," in which a Prussian soldier, having returned home
in consequence of peace being declared, bitterly regrets the various
outrages he is in consequence debarred from committing. Needless to say,
this recital was enthusiastically applauded. Shouts of "Bravo!" and
"Hurrah!" mixed with cries of "Long live King William!" "Hurrah for
Prussia!" "Down with France!" formed an accompaniment which would
doubtless have been continued to the next piece, the reciter proposing
to give a lyric by Theodor Körner. The announcement was received with
loud applause.
It was, however, by no means the only safety valve at which the passion
of the surging crowd, now at white heat, sought and found a vent. A
little lower down, at the corner of the Friedrich Strasse, a well-known
singer happened to be returning from rehearsal, and as he chanced on one
occasion to have made a hit by singing "The German Rhine" some one who
remembered this raised a cry of "The German Rhine! the German Rhine!
Heinrich! sing 'The German Rhine!'" The crowd instantly recognized and
surrounded the artist, who, owning a fine voice, and being familiar with
the piece demanded, did not wait to be asked twice, but gratified his
audience by singing his very best, thereby far surpassing the Return in
the tremendous reception he obtained.
But all at once a loud and furious hiss which might have issued from the
throttle of a steam engine was heard above all the wild applause, and
produced the effect of a blow in the face bestowed on the singer. A bomb
suddenly exploding in the crowd could hardly have been more effective;
the hiss was answered by a dull roar something like that which precedes
a hurricane and every eye was turned towards the quarter whence it
proceeded.
Standing by a solitary table was a handsome young man, apparently about
five-and-twenty, fair-haired, fair-skinned, rather slightly built, and
in face, moustache and costume somewhat resembling the portrait of
Vandyke. He had just opened a bottle of champagne and held a foaming
glass aloft. Undisturbed by angry looks and threatening gestures he drew
himself up, placed one foot on his chair, and raising his glass above
his head cried loudly, "Vive la France!" then swallowed the contents at
one draught.
CHAPTER II
THE HOUSE OF HOHENZOLLERN
Public-domain text, read in full here on John Shaqi.
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