of the nature of crucibles in which old reactions and feelings are fused, given new direction, new forms and in a certain way a new nature. History is made in these moods of war. They are subjective forces, but they are also objectively creative. What is it that nations really desire? What is it, we might ask, that an individual desires? On the side of experience it is an _abundant life_, a life full of the feeling of power. This craving for an abundant life is a craving for the satisfaction of many desires, instinctive and acquired, but it is also a craving, in some sense, for more desire. It is not merely to satisfy desires, but to realize more life by creating more desires that experience is sought. That is the philosophy of the life of the superior individual; it is also the principle of the larger individual--the nation. The creation and the satisfaction of desire are the motives of art. They are also the motives of life. In history, it is the intangible value, the unconscious purpose, the desire to realize empires that are only in part material, the desire for glory and prestige and opportunity that seem to be the guiding motives. There is a general and plastic purpose beneath all the special tendencies and desires directing interest toward specific objects, and also sometimes making the objectives sought indefinite and the purposes in seeking them seem mystical. It is the desire to be a power in the world, or rather to have power over the world, and to experience all the inner exaltation these desires inspire that appears to be the creative force in history. These things, moreover, are not the desires and impulses of the geniuses among nations alone; they seem to be inherent in all national life.