In Lamprecht's opinion, this period of excitement, this strong tendency to the enjoyment of excitation in general, is a form of socio-psychic dissociation. It is a period of relative disorganization, when the individual is subjected to a great variety of new experiences, when outside influences prevail over the inner impulses of the individual, in which the individual is unsettled and there is a tendency toward pessimism and melancholia. Lamprecht thinks of this state as something transitory, and already as he writes (in 1905) nearing an end. This state of continuous excitement, with its shallow pathos of the individual and its constant and superficial happiness, its worship of the novel and the extraordinary, the suggestibility and the receptivity of the masses, automatic action of the will and the emotions--all this Lamprecht thinks will pass. It is a stage in the process of a new formation. The very elements of dissociation are positively charged, so to speak, and contain creative power. A new system of morals, a new philosophy, new religion begin to emerge. There is a strong effort to reach a new dominant. This is Lamprecht's psychological interpretation of recent German history. This view and the various aspects of the condition which Lamprecht describes, the relation of the materialism, the pessimism and the melancholy of such a time to the optimistic trends and the deep forward movement need a closer study than we can here give it, but may we not see in it the truth that such conditions as these are prone to cause wars as a phase of the process of the inner adjustment of national life? Wars occur as forms of expression of those impulses which appear in the individual life in times of rapid growth and relative dissociation as outbreaks of intemperance and passion--a culmination, according to our view and terminology, of the intoxication motive. Industrialism itself is perhaps but one manifestation of deep impulses in the life of nations; it is at once an intensification and a formalizing of life. Hence perhaps its paradoxical appearance as an increase of both joy and distress. There is nothing in it that is wholly satisfying.