The Psychology of the EmotionsRibot, Th. (Théodule)
Science
The Psychology of the Emotions
Ribot, Th. (Théodule)
Emotions
The repugnance of certain psychologists to admit indifferent states
arises from the fact that this thesis appears to them to introduce
discontinuity into the affective life. The mobile and incessantly
alternating series of pleasurable or painful modifications would, in
that case, have moments of interruption, gaps, and vacant spaces. I
yield to no one in asserting the continuity of the affective life;
but it must be sought elsewhere. It is in the appetites, the
tendencies—conscious or unconscious—the desires and aversions,
which, for their part, are always at work, permanent and
indestructible. Here, again, we find the mistake of considering
pleasure and pain, which are only symptoms, as essential and
fundamental elements.
I find it strange, moreover, that, in a subject so much studied and
discussed, no one should have contributed an observation which seems
to me of some importance. Each author supposes the formula adopted
by himself to be applicable to all men. This is to state the
question in a philosophical, not in a psychological form—_i.e._,
without taking into account individual variations of temperament and
character, an element by no means to be neglected. It is to suppose,
without the least proof, that all cases are reducible to unity. On
the contrary, there are presumptions that the solution adopted,
whatever it is, may be true for some men and false for others. A
nervous, excitable temperament, in a perpetual state of vibration,
constantly kept on the alert by the workings of passion or thought,
may, by its very constitution, leave no moment accessible to an
intermission of the incessantly renewed states of pain and pleasure.
A lymphatic temperament, on the other hand, a cold disposition, a
limited intelligence, poor in ideas, constitute a soil perfectly
suited to the frequent appearance and long continuance of
indifferent states.[58]
Footnote 58:
Public-domain text, read in full here on John Shaqi.
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