One aspect of the matter concerns particularly the side of dissemination. It is often said, and with a great appearance of truth, that the freeing and perfecting of inquiry would not have any especial effect. For, it is argued, the mass of the reading public is not interested in learning and assimilating the results of accurate investigation. Unless these are read, they cannot seriously affect the thought and action of members of the public; they remain in secluded library alcoves, and are studied and understood only by a few intellectuals. The objection is well taken save as the potency of art is taken into account. A technical high-brow presentation would appeal only to those technically high-brow; it would not be news to the masses. Presentation is fundamentally important, and presentation is a question of art. A newspaper which was only a daily edition of a quarterly journal of sociology or political science would undoubtedly possess a limited circulation and a narrow influence. Even at that, however, the mere existence and accessibility of such material would have some regulative effect. But we can look much further than that. The material would have such an enormous and widespread human bearing that its bare existence would be an irresistible invitation to a presentation of it which would have a direct popular appeal. The freeing of the artist in literary presentation, in other words, is as much a precondition of the desirable creation of adequate opinion on public matters as is the freeing of social inquiry. Men’s conscious life of opinion and judgment often proceeds on a superficial and trivial plane. But their lives reach a deeper level. The function of art has always been to break through the crust of conventionalized and routine consciousness. Common things, a flower, a gleam of moonlight, the song of a bird, not things rare and remote, are means with which the deeper levels of life are touched so that they spring up as desire and thought. This process is art. Poetry, the drama, the novel, are proofs that the problem of presentation is not insoluble. Artists have always been the real purveyors of news, for it is not the outward happening in itself which is new, but the kindling by it of emotion, perception and appreciation.