Trials (Obscenity) -- France -- History -- 19th century
You see that these descriptions are charming, incontestably, and that it
is not difficult to take a line here and there for the purpose of
creating a kind of colour, against which my conscience protests. It is
not a lascivious colour, it is only lifelike; it is the literary element
and at the same time the moral element.
Here we have a young girl, whose education you are acquainted with,
become a woman. The Government Attorney has asked: Did she even try to
love her husband? He has not read the book; if he had read it, he would
not have made the objection.
We have, gentlemen, this poor woman dreaming at first. On page 34 you
will find her dreams. And there is something more here, something of
which the Government Attorney did not speak, and which I must tell you,
and these are her impressions when her mother died; you will see if they
are lascivious soon enough! Have the goodness to turn to page 33 and
follow me:
"When her mother died she cried much the first few days. She had a
funeral picture made with the hair of the deceased, and, in a letter
sent to the Bertaux full of sad reflections on life, she asked to be
buried some day in the same grave. The good man thought she must be ill,
and came to see her. Emma was secretly pleased that she had reached at a
first attempt the rare ideal of pale lives, never attained by mediocre
hearts. She let herself glide along with Lamartine meanderings, listened
to harps on lakes, to all the songs of dying swans, to the falling of
the leaves, the pure virgins ascending to heaven, and the voice of the
Eternal discoursing down the valleys. She wearied of it, would not
confess it, continued from habit, and at last was surprised to feel
herself soothed, and with no more sadness at heart than wrinkles on her
brow."
I wish to make answer to the Government Attorney's reproach that she
made no effort to love her husband.
THE GOVERNMENT ATTORNEY:
I did not reproach her for that, I said that she did not succeed in
loving him.
M. SENARD:
If I have been mistaken, if you made no reproach, that is the best
response that could be given. I believed that I understood you to make
one; let us see how I may be deceived. Moreover, here is what I read at
the end of page 36:
"And yet, in accord with theories she believed right, she desired to
make herself in love with him. By moonlight in the garden she recited
all the passionate rhymes she knew by heart, and, sighing, sang to him
many melancholy adagios; but she found herself as calm after this as
before, and Charles seemed no more amorous and no more moved.
Public-domain text, read in full here on John Shaqi.
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