Trials (Obscenity) -- France -- History -- 19th century
His book would not be read if he had done otherwise, if, in order
to show where an education as perilous as that of Madame Bovary can
lead, he had not been prodigal with the fascinating images and the
powerful tableaux for which he is reproached.
M. Flaubert constantly sets forth the superiority of the husband over
the wife, and what superiority, if you please? that of simple duty
fulfilled, while the wife was straying from hers. Here she is, fixed by
the bent of this bad education; here she is, gone out after the scene of
the ball, with the young boy, Léon, as inexperienced as herself. She
coquets with him but does not dare to go further; nothing happens. Then
comes Rodolphe who takes the woman to himself. After looking at her for
a moment, he said: This woman is all right. She will be easy prey,
because she is light-minded and inexperienced. As to the fall, will you
re-read pages 42, 43 and 44. I have only a word to say about this scene
and that is: there are no details, no descriptions, no image that can
trouble the senses; a single word indicates the fall: "She abandoned
herself." I pray you to have the goodness to read again the details of
the fall of Clarissa Harlowe, which I have not heard decried as a bad
book. M. Flaubert has substituted Rodolphe for Lovelace, and Emma for
Clarissa. If you will compare the two authors and the two books you will
appreciate the situation.
But I will return here to the indignation of the Government Attorney.
He is shocked that remorse does not immediately follow the fall, and
that in the place of expressing bitterness, she said with satisfaction:
"I have a lover!" But the author would not be true, if he made the
enchanting draught seem bitter while it still touched the lips. He who
wrote as the Attorney understands might be moral, but he would be saying
what is not in nature. No, it is not at the first moment of a fault
that the sentiment of fault is awakened; otherwise, it would not be
committed. No, it is not at the moment when she is under a delusion that
intoxicates her that a woman can be averted from this intoxication even
by the immensity of the fault she has committed. She feels only the
intoxication; she goes back to her home happy, sparkling, and singing in
her heart: "I have a lover!" But can this last long? You have read pages
424 and 425. On both pages, and if you please, to page 428, the
sentiment of disgust with her lover is not yet manifest; but she is
already under the impression of fear and uneasiness. She thinks, weighs
the question, and believes that she does not wish to abandon Rodolphe:
"Something stronger than herself forced her to him; so much so, that one
day, seeing her come unexpectedly he frowned as one put out.
"'What is the matter with you?' she said, 'Are you ill? Tell me!'
"At last he declared with a serious air that her visits were becoming
imprudent--that she was compromising herself.
Public-domain text, read in full here on John Shaqi.
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