Morgan’s comments in these days were more and more free; they even
included a large recognition of the extraordinary tenderness with which
he had been treated while Pemberton was away. Oh yes, they couldn’t do
enough to be nice to him, to show him they had him on their mind and make
up for his loss. That was just what made the whole thing so sad and
caused him to rejoice after all in Pemberton’s return—he had to keep
thinking of their affection less, had less sense of obligation.
Pemberton laughed out at this last reason, and Morgan blushed and said:
“Well, dash it, you know what I mean.” Pemberton knew perfectly what he
meant; but there were a good many things that—dash it too!—it didn’t make
any clearer. This episode of his second sojourn in Paris stretched
itself out wearily, with their resumed readings and wanderings and
maunderings, their potterings on the quays, their hauntings of the
museums, their occasional lingerings in the Palais Royal when the first
sharp weather came on and there was a comfort in warm emanations, before
Chevet’s wonderful succulent window. Morgan wanted to hear all about the
opulent youth—he took an immense interest in him. Some of the details of
his opulence—Pemberton could spare him none of them—evidently fed the
boy’s appreciation of all his friend had given up to come back to him;
but in addition to the greater reciprocity established by that heroism he
had always his little brooding theory, in which there was a frivolous
gaiety too, that their long probation was drawing to a close. Morgan’s
conviction that the Moreens couldn’t go on much longer kept pace with the
unexpended impetus with which, from month to month, they did go on.
Three weeks after Pemberton had rejoined them they went on to another
hotel, a dingier one than the first; but Morgan rejoiced that his tutor
had at least still not sacrificed the advantage of a room outside. He
clung to the romantic utility of this when the day, or rather the night,
should arrive for their escape.
Public-domain text, read in full here on John Shaqi.
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