He yet when he first applied it felt a glow of joy—for an instructor he
was still empirical—rise from the apprehension that living with them
would really be to see life. Their sociable strangeness was an
intimation of that—their chatter of tongues, their gaiety and good
humour, their infinite dawdling (they were always getting themselves up,
but it took forever, and Pemberton had once found Mr. Moreen shaving in
the drawing-room), their French, their Italian and, cropping up in the
foreign fluencies, their cold tough slices of American. They lived on
macaroni and coffee—they had these articles prepared in perfection—but
they knew recipes for a hundred other dishes. They overflowed with music
and song, were always humming and catching each other up, and had a sort
of professional acquaintance with Continental cities. They talked of
“good places” as if they had been pickpockets or strolling players. They
had at Nice a villa, a carriage, a piano and a banjo, and they went to
official parties. They were a perfect calendar of the “days” of their
friends, which Pemberton knew them, when they were indisposed, to get out
of bed to go to, and which made the week larger than life when Mrs.
Moreen talked of them with Paula and Amy. Their initiations gave their
new inmate at first an almost dazzling sense of culture. Mrs. Moreen had
translated something at some former period—an author whom it made
Pemberton feel borné never to have heard of. They could imitate Venetian
and sing Neapolitan, and when they wanted to say something very
particular communicated with each other in an ingenious dialect of their
own, an elastic spoken cipher which Pemberton at first took for some
patois of one of their countries, but which he “caught on to” as he would
not have grasped provincial development of Spanish or German.
“It’s the family language—Ultramoreen,” Morgan explained to him drolly
enough; but the boy rarely condescended to use it himself, though he
dealt in colloquial Latin as if he had been a little prelate.
Among all the “days” with which Mrs. Moreen’s memory was taxed she
managed to squeeze in one of her own, which her friends sometimes forgot.
But the house drew a frequented air from the number of fine people who
were freely named there and from several mysterious men with foreign
titles and English clothes whom Morgan called the princes and who, on
sofas with the girls, talked French very loud—though sometimes with some
oddity of accent—as if to show they were saying nothing improper.
Pemberton wondered how the princes could ever propose in that tone and so
publicly: he took for granted cynically that this was what was desired of
them. Then he recognised that even for the chance of such an advantage
Mrs. Moreen would never allow Paula and Amy to receive alone. These
young ladies were not at all timid, but it was just the safeguards that
made them so candidly free. It was a houseful of Bohemians who wanted
tremendously to be Philistines.
Public-domain text, read in full here on John Shaqi.
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