In 1844 he was united to Miss Susan Bennett, the beautiful daughter of the late George Bennett, Q.C. From this time until her decease, in 1858, he devoted his energies almost entirely to press work, making, however, his first essays in novel writing during that period. The 'Cock and Anchor,' a chronicle of old Dublin city, his first and, in the opinion of competent critics, one of the best of his novels, seeing the light about the year 1850. This work, it is to be feared, is out of print, though there is now a cheap edition of 'Torlogh O'Brien,' its immediate successor. The comparative want of success of these novels seems to have deterred Le Fanu from using his pen, except as a press writer, until 1863, when the 'House by the Churchyard' was published, and was soon followed by 'Uncle Silas' and his five other well-known novels. We have considered Le Fanu as a ballad writer and poet. As a press writer he is still most honourably remembered for his learning and brilliancy, and the power and point of his sarcasm, which long made the 'Dublin Evening Mail' one of the most formidable of Irish press critics; but let us now pass to the consideration of him in the capacity of a novelist, and in particular as the author of 'Uncle Silas.' There are evidences in 'Shamus O'Brien,' and even in 'Phaudrig Croohore,' of a power over the mysterious, the grotesque, and the horrible, which so singularly distinguish him as a writer of prose fiction. 'Uncle Silas,' the fairest as well as most familiar instance of this enthralling spell over his readers, is too well known a story to tell in detail. But how intensely and painfully distinct is the opening description of the silent, inflexible Austin Ruthyn of Knowl, and his shy, sweet daughter Maude, the one so resolutely confident in his brother's honour, the other so romantically and yet anxiously interested in her uncle--the sudden arrival of Dr. Bryerly, the strange Swedenborgian, followed by the equally unexpected apparition of Madame de la Rougiere, Austin Ruthyn's painful death, and the reading of his strange will consigning poor Maude to the protection of her unknown Uncle Silas--her cousin, good, bright devoted Monica Knollys, and her dreadful distrust of Silas--Bartram Haugh and its uncanny occupants, and foremost amongst them Uncle Silas. This is his portrait: 'A face like marble, with a fearful monumental look, and for an old man, singularly vivid, strange eyes, the singularity of which rather grew upon me as I looked; for his eyebrows were still black, though his hair descended from his temples in long locks of the purest silver and fine as silk, nearly to his shoulders. 'He rose, tall and slight, a little stooped, all in black, with an ample black velvet tunic, which was rather a gown than a coat....