"No, with a priest," corrected Mrs. Wilson, adjusting her domino about
her face.
"Elsie, how devilishly fond you are of making a fool of yourself," Dr.
Wilson observed jovially. "Well, good-night."
Mrs. Wilson swept him a profound courtesy, with her hands crossed on
her bosom.
"My lord and master, good-night. Ladies, remember that it will be Lent
in ten minutes."
She took Wynne's arm, and together the black-robed figures went down
the length of the room. The music had for the moment stopped, and it
seemed to Maurice as if his presence had brought a chill to the whole
gay scene. He was inwardly raging, angry to have been used by Mrs.
Wilson as an actor in her outrageous comedy, furious with Berenice for
her part in the play, full of rage against the men who stood around
grinning and laughing at the whole performance. Most of all, he assured
himself, he was righteously indignant at the trifling with sacred
things. He looked neither to the left nor to the right, but with Mrs.
Wilson sweeping along by his side he strode toward the door.
"He looks as if he belonged to the church militant," he heard one of
the men say as he passed out.
"Even the church militant is nothing against a woman," another replied,
catching the eye of Mrs. Wilson, and laughing.
In the vestibule stood a footman bearing Maurice's cloak, and a maid
with fur over-shoes and an ermine-lined wrap for Mrs. Wilson. Maurice
said not a word except to reply in monosyllables to the questions of
his companion, and almost in silence they drove to the Church of the
Nativity.
XXVII
UPON A CHURCH BENCH
Much Ado about Nothing, iii. 3.
The music of the Church of the Nativity was most elaborate, the very
French millinery of sacred music. The selection of a new singer was
debated with a zeal which spoke volumes for the interest in the service
of the sanctuary, and the money expended in this part of the worship
would have supported two or three poorer congregations. The church,
moreover, was appointed with a richness beautiful to see. The vestments
might have moved the envy of high Roman prelates, and the altar plate
shone in gold and precious stones.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account