The Persian was the latest ethical caprice of Boston. He had come by the invitation of Mrs. Gore to bring across the ocean the knowledge of the mystic truths contained in the sacred writings of his country; and his ministrations were being received with that beautiful seriousness which is so characteristic of the town. In Boston there are many persons whose chief object in life seems to be the discovery of novel forms of spiritual dissipation. The cycle of mystic hymns which the Persian was expounding to the select circle of devotees assembled at Mrs. Gore's was full of the most sensual images, under which the inspired Persian psalmists had concealed the highest truth. Indeed, Ashe had been told that on one occasion the hostess had been obliged to stop the reading on the ground that an occidental audience not accustomed to anything more outspoken than the Song of Solomon, and unused to the amazing grossness of oriental symbolism, could not listen to the hymn which he was pouring forth. Fortunately Philip had chanced upon a day when the text was harmless, and he could hear without blushing, whether he were spiritually edified or not. The Persian had a voice of exquisite softness and flexibility. His every word was like a caress. There are voices which so move and stir the hearer that they arouse an emotion which for the moment may override reason; voices which appeal to the senses like beguiling music, and which conquer by a persuasive sweetness as irresistible as it is intangible. The tones of the Persian swayed Ashe so deeply that the young man felt as if swimming on a billow of melody. Philip regarded as if fascinated the slender, dusky fingers of the reader as they handled the splendidly illuminated parchment on which glowed strange characters of gold, marvelously intertwined with leaf and flower, and cunning devices in gleaming hues. He looked into the deep, liquid eyes of the old man, and saw the light in them kindle as the reading proceeded. He felt the dignity of the presence of the seer, and the richness of his flowing garment; but all these things were only the fitting accompaniments to that beautiful voice, flowing on like a topaz brook in a meadow of daffodils. The Persian spoke admirable English, only now and then by a slight accent betraying his nationality. He made a short address upon the antiquity of the hymn which he was that day to expound, its authorship, and its evident inspiration. Then in his wonderful voice he read:-- THE HYMN OF ISMAT. Yesterday, half inebriated, I passed by the quarters where the vintners dwell, to seek the daughter of an infidel who sells wine. At the end of the street, there advanced before me a damsel, with a fairy's cheeks, who in the manner of a pagan wore her tresses dishevelled over her shoulders like a sacerdotal thread. I said: "O thou, to the arch of whose eyebrow the new moon is a slave, what quarter is this, and where is thy mansion?"