The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
I made little progress that day, the weather proving hot, and my horse
lazier than ever. After riding about five leagues, I rested for a couple
of hours, then proceeded again at a gentle trot till about the middle
of the afternoon, when I dismounted at a wayside _pulpería_ or store
and public-house all in one, where several natives were sipping rum and
conversing. Standing before them was a brisk-looking old man--old, I
say, because he had a dark, dry skin, though his hair and moustache were
black as jet--who paused in the discourse he appeared to be delivering,
to salute me; then, after bestowing a searching glance on me out of his
dark, hawk-like eyes, he resumed his talk. After calling for rum and
water, to be in the fashion, I sat down on a bench, and, lighting
a cigarette, prepared to listen. He was dressed in shabby gaucho
habiliments--cotton shirt, short jacket, wide cotton drawers, and
_chiripa_, a shawl-like garment fastened at the waist with a sash, and
reaching down half-way between the knees and ankles. In place of a hat
he wore a cotton handkerchief tied carelessly about his head; his left
foot was bare, while the right one was cased in a colt's-skin stocking,
called _bota-de-potro_, and on this distinguished foot was buckled a
huge iron spur, with spikes two inches long. One spur of the kind would
be quite sufficient, I should imagine, to get out of a horse all the
energy of which he was capable. When I entered he was holding forth on
the pretty well-worn theme of fate _versus_ free will; his arguments
were not, however, the usual dry philosophical ones, but took the form
of illustration, chiefly personal reminiscences and strange incidents
in the lives of people he had known, while so vivid and minute were his
descriptions--sparkling with passion, satire, humour, pathos, and so
dramatic his action, while wonderful story followed story--that I was
fairly astonished, and pronounced this old _pulpería_ orator a born
genius.
His argument over, he fixed his keen eyes on me and said:
“My friend, I perceive you are a traveller from Montevideo: may I ask
what news there is from that city?”
Public-domain text, read in full here on John Shaqi.
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