The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
There was no plantation about the house, not even a shade tree or
cultivated plant of any description, but only some large _corrales_, or
enclosures, for the cattle, of which there were six or seven thousand
head on the land. The absence of shade and greenery gave the place a
desolate, uninviting aspect, but if I was ever to have any authority
here this would soon be changed. The Mayordomo, or manager, Don
Policarpo Santierra de Peñalosa, which, roughly done into English, means
Polycarp of the Holy Land abounding in Slippery Rocks, proved to be a
very pleasant, affable person. He welcomed me with that quiet Oriental
politeness which is never cold and never effusive, and then perused the
letter from Doña Isidora. Finally he said, “I am willing, my friend, to
supply you with all the conveniences procurable at this elevation;
and, for the rest, you know, doubtless, what I can say to you. A ready
understanding requires few words. Nevertheless, there is here no lack
of good beef, and, to be short, you will do me a great favour by making
this house with everything it contains your own, while you honour us by
remaining in it.”
After delivering himself of these kindly sentiments, which left me
rather in a mist as to my prospects, he mounted his horse and rode off,
probably on some very important affair, for I saw no more of him for
several days.
I at once proceeded to establish myself in the kitchen. No person inthe
house appeared ever to pay even a casual visit to any other room.
This kitchen was vast and barn-like, forty feet long at least, and
proportionately wide; the roof was of reeds, and the hearth, placed in
the centre of the floor, was a clay platform, fenced round with cows'
shank-bones, half buried and standing upright. Some trivets and iron
kettles were scattered about, and from the centre beam, supporting
the roof, a chain and hook were suspended to which a vast iron pot was
fastened. One more article, a spit about six feet long for roasting
meat, completed the list of cooking utensils. There were no chairs,
tables, knives, or forks; everyone carried his own knife, and at
meal-time the boiled meat was emptied into a great tin dish, whilst the
roast was eaten from the spit, each one laying hold with his fingers
and cutting his slice. The seats were logs of wood and horse-skulls.
The household was composed of one woman, an ancient, hideously ugly,
grey-headed negress, about seventy years old, and eighteen or nineteen
men of all ages and sizes, and of all colours from parchment-white to
very old oak. There was a _capatas,_ or overseer, and seven or
eight paid _peones,_ the others being all _agregados_--that is,
supernumeraries without pay, or, to put it plainly, vagabonds who attach
themselves like vagrant dogs to establishments of this kind, lured by
the abundance of flesh, and who occasionally assist the regular _peones_
at their work, and also do a little gambling and stealing to keep
themselves in small change.
Public-domain text, read in full here on John Shaqi.
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