The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
These ominous croakings produced no effect on me, and the next day I
returned to the subject. I did not possess a lasso, and so could not
undertake to capture a half-wild cow without assistance. One of my
fellow _agregados_ at length volunteered to help me, observing that he
had not tasted milk for several years, and was inclined to renew his
acquaintance with that singular beverage. This new-found friend in need
merits being formally introduced to the reader. His name was Epifanio
Claro. He was tall and thin, and had an idiotic expression on his long,
sallow face. His cheeks were innocent of whiskers, and his lank, black
hair, parted in the middle, fell to his shoulders, enclosing his narrow
face between a pair of raven's wings. He had very large, light-coloured,
sheepish-looking eyes, and his eyebrows bent up like a couple of Gothic
arches, leaving a narrow strip above them that formed the merest apology
for a forehead. This facial peculiarity had won for him the nickname of
Cejas (Eyebrows), by which he was known to his intimates. He spent most
of his time strumming on a wretched old cracked guitar, and singing
amorous ballads in a lugubrious, whining falsetto, which reminded me not
a little of that hungry, complaining gull I had met at the _estancia_ in
Durazno. For, though poor Epifanio had an absorbing passion for music,
Nature had unkindly withheld from him the power to express it in a
manner pleasing to others. I must, however, in justice to him, allow
that he gave a preference to ballads or compositions of a thoughtful,
not to say metaphysical, character. I took the trouble of translating
the words of one literally, and here they are:
Yesterday my senses opened,
At a rap-a-tap from Reason,
Inspiring in me an intention
Which I never had before,
Seeing that through all my days
My life has been just what it is.
Therefore when I rose I said,
To-day shall be as yesterday,
Since Reason tells me I have been
From day to day the self-same thing.
This is very little to judge from, being only a fourth part of the song;
but it is a fair specimen, and the rest is no clearer. Of course it is
not to be supposed that Epifanio Claro, an illiterate person, took in
the whole philosophy of these lines; still, it is probable that a subtle
ray or two of their deep meaning touched his intellect, to make him a
wiser and a sadder man.
Accompanied by this strange individual, and with the grave permission
of the _capatas_, who declined, however, in words of many syllables, all
_responsabilidad_ in the matter, we went out to the grazing grounds in
quest of a promising-looking cow. Very soon we found one to our liking.
She was followed by a small calf, not more than a week old, and her
distended udder promised a generous supply of milk; but unfortunately
she was fierce-tempered, and had horns as sharp as needles.
“We will cut them by and by,” shouted Eyebrows.
Public-domain text, read in full here on John Shaqi.
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