From the selective character of history it follows that a single complete history of anything is impossible--certainly a single complete history of the world at large. History is pluralistic. This conclusion might be reached as others have already been reached by pointing out how it follows from the purpose of writing history, and how this purpose indicates the character of movements in time. Indeed this has already been done in pointing out that the history of England is its many histories and the history of a garden the history of its many seeds. Always there is a particular career and particular incidents appropriate to it. Any career may be as comprehensive as desired, but the more inclusive it is the more restricted it becomes. The history of Milton contains details which the history of English literature will omit; and the history of the cosmos shrinks to nothing when we try to write it. The only universal history is the exposition of what history itself is, the time process stripped of all its variety and specific interests. Consequently, a single purpose is not discoverable; there are many purposes. When we try to reduce them all to some show of singleness we again do no more than try to tell what a temporal order is like. It is metaphysics and not history we are writing. To affirm that history is pluralistic is, however, only to reaffirm the selective character of history generally. A history of the world in order to be single, definite, and coherent, must exhibit a single, definite, and coherent purpose or time process. That means, of course, that it is distinguished from other purposes equally single, definite, and coherent. There are thus many histories of the world distinguished from one another by the incidence of choice or emphasis. The flower in the crannied wall with its history fully recorded and understood would, consequently, illustrate the universe. All that has ever happened might be interpreted in illumination of its career. Yet it would be absurd to maintain that either nature or Tennyson intended that the little flower should be exclusively illustrative. The wall would do as well, or its crannies, or the poet. Nature exhibits no preference either in the choice of a history or in the extent of its comprehensiveness. Man may be thought to be, and man is, an incident in the universe, and the universe may be thought to be, and the universe is, the theater of man's career.