Hippolyte returned to the studio bearing the portrait. His easel was
ready with a fresh canvas, and his palette set, his brushes cleaned, the
spot and the light carefully chosen. And till the dinner hour he worked
at the painting with the ardor artists throw into their whims. He went
again that evening to the Baronne de Rouville’s, and remained from
nine till eleven. Excepting the different topics of conversation, this
evening was exactly like the last. The two old men arrived at the same
hour, the same game of piquet was played, the same speeches made by the
players, the sum lost by Adelaide’s friend was not less considerable
than on the previous evening; only Hippolyte, a little bolder, ventured
to chat with the young girl.
A week passed thus, and in the course of it the painter’s feelings and
Adelaide’s underwent the slow and delightful transformations which bring
two souls to a perfect understanding. Every day the look with which the
girl welcomed her friend grew more intimate, more confiding, gayer, and
more open; her voice and manner became more eager and more familiar.
They laughed and talked together, telling each other their thoughts,
speaking of themselves with the simplicity of two children who have made
friends in a day, as much as if they had met constantly for three years.
Schinner wished to be taught piquet. Being ignorant and a novice, he, of
course, made blunder after blunder, and like the old man, he lost almost
every game. Without having spoken a word of love the lovers knew that
they were all in all to one another. Hippolyte enjoyed exerting his
power over his gentle little friend, and many concessions were made to
him by Adelaide, who, timid and devoted to him, was quite deceived by
the assumed fits of temper, such as the least skilled lover and the most
guileless girl can affect; and which they constantly play off, as spoilt
children abuse the power they owe to their mother’s affection. Thus all
familiarity between the girl and the old Count was soon put a stop to.
She understood the painter’s melancholy, and the thoughts hidden in the
furrows on his brow, from the abrupt tone of the few words he spoke when
the old man unceremoniously kissed Adelaide’s hands or throat.
Public-domain text, read in full here on John Shaqi.
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