He spent two months over the portrait, and when it was finished,
varnished, and framed, he looked upon it as one of his best works.
Madame la Baronne de Rouville had never spoken of it again. Was this
from indifference or pride? The painter would not allow himself to
account for this silence. He joyfully plotted with Adelaide to hang the
picture in its place when Madame de Rouville should be out. So one day,
during the walk her mother usually took in the Tuileries, Adelaide for
the first time went up to Hippolyte’s studio, on the pretext of seeing
the portrait in the good light in which it had been painted. She stood
speechless and motionless, but in ecstatic contemplation, in which all
a woman’s feelings were merged. For are they not all comprehended in
boundless admiration for the man she loves? When the painter, uneasy
at her silence, leaned forward to look at her, she held out her hand,
unable to speak a word, but two tears fell from her eyes. Hippolyte took
her hand and covered it with kisses; for a minute they looked at each
other in silence, both longing to confess their love, and not daring.
The painter kept her hand in his, and the same glow, the same throb,
told them that their hearts were both beating wildly. The young girl,
too greatly agitated, gently drew away from Hippolyte, and said, with a
look of the utmost simplicity:
“You will make my mother very happy.”
“What, only your mother?” he asked.
“Oh, I am too happy.”
The painter bent his head and remained silent, frightened at the
vehemence of the feelings which her tones stirred in his heart. Then,
both understanding the perils of the situation, they went downstairs
and hung up the picture in its place. Hippolyte dined for the first time
with the Baroness, who, greatly overcome, and drowned in tears, must
needs embrace him.
In the evening the old emigre, the Baron de Rouville’s old comrade, paid
the ladies a visit to announce that he had just been promoted to the
rank of vice-admiral. His voyages by land over Germany and Russia had
been counted as naval campaigns. On seeing the portrait he cordially
shook the painter’s hand, and exclaimed, “By Gad! though my old hulk
does not deserve to be perpetuated, I would gladly give five hundred
pistoles to see myself as like as that is to my dear old Rouville.”
At this hint the Baroness looked at her young friend and smiled, while
her face lighted up with an expression of sudden gratitude. Hippolyte
suspected that the old admiral wished to offer him the price of both
portraits while paying for his own. His pride as an artist, no less than
his jealousy perhaps, took offence at the thought, and he replied:
“Monsieur, if I were a portrait-painter I should not have done this
one.”
The admiral bit his lip, and sat down to cards.
Public-domain text, read in full here on John Shaqi.
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