Torn by the most conflicting feelings, the painter parted from his
friends. It seemed to him that Adelaide and her mother must be superior
to these accusations, and at the bottom of his heart he was filled with
remorse for having suspected the purity of this beautiful and simple
girl. He went to his studio, passing the door of the rooms where
Adelaide was, and conscious of a pain at his heart which no man can
misapprehend. He loved Mademoiselle de Rouville so passionately that,
in spite of the theft of the purse, he still worshiped her. His love was
that of the Chevalier des Grieux admiring his mistress, and holding her
as pure, even on the cart which carries such lost creatures to prison.
“Why should not my love keep her the purest of women? Why abandon her to
evil and to vice without holding out a rescuing hand to her?”
The idea of this mission pleased him. Love makes a gain of everything.
Nothing tempts a young man more than to play the part of a good
genius to a woman. There is something inexplicably romantic in such an
enterprise which appeals to a highly-strung soul. Is it not the utmost
stretch of devotion under the loftiest and most engaging aspect? Is
there not something grand in the thought that we love enough still to
love on when the love of others dwindles and dies?
Hippolyte sat down in his studio, gazed at his picture without doing
anything to it, seeing the figures through tears that swelled in his
eyes, holding his brush in his hand, going up to the canvas as if to
soften down an effect, but not touching it. Night fell, and he was still
in this attitude. Roused from his moodiness by the darkness, he went
downstairs, met the old admiral on the way, looked darkly at him as he
bowed, and fled.
He had intended going in to see the ladies, but the sight of Adelaide’s
protector froze his heart and dispelled his purpose. For the hundredth
time he wondered what interest could bring this old prodigal, with his
eighty thousand francs a year, to this fourth story, where he lost about
forty francs every evening; and he thought he could guess what it was.
The next and following days Hippolyte threw himself into his work, and
to try to conquer his passion by the swift rush of ideas and the ardor
of composition. He half succeeded. Study consoled him, though it could
not smother the memories of so many tender hours spent with Adelaide.
Public-domain text, read in full here on John Shaqi.
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