The young girl stole a look at the painter and at the pictures in the
studio. Her expression and her glances revealed perfect propriety; her
curiosity seemed rather absence of mind, and her eyes seemed to speak
the interest which women feel, with the most engaging spontaneity, in
everything which causes us suffering. The two strangers seemed to forget
the painter’s works in the painter’s mishap. When he had reassured them
as to his condition they left, looking at him with an anxiety that was
equally free from insistence and from familiarity, without asking any
indiscreet questions, or trying to incite him to any wish to visit them.
Their proceedings all bore the hall-mark of natural refinement and good
taste. Their noble and simple manners at first made no great impression
on the painter, but subsequently, as he recalled all the details of the
incident, he was greatly struck by them.
When they reached the floor beneath that occupied by the painter’s
studio, the old lady gently observed, “Adelaide, you left the door
open.”
“That was to come to my assistance,” said the painter, with a grateful
smile.
“You came down just now, mother,” replied the young girl, with a blush.
“Would you like us to accompany you all the way downstairs?” asked the
mother. “The stairs are dark.”
“No, thank you, indeed, madame; I am much better.”
“Hold tightly by the rail.”
The two women remained on the landing to light the young man, listening
to the sound of his steps.
In order to set forth clearly all the exciting and unexpected interest
this scene might have for the young painter, it must be told that he
had only a few days since established his studio in the attics of this
house, situated in the darkest and, therefore, the most muddy part of
the Rue de Suresnes, almost opposite the Church of the Madeleine, and
quite close to his rooms in the Rue des Champs-Elysees. The fame his
talent had won him having made him one of the artists most dear to his
country, he was beginning to feel free from want, and to use his own
expression, was enjoying his last privations. Instead of going to his
work in one of the studios near the city gates, where the moderate rents
had hitherto been in proportion to his humble earnings, he had gratified
a wish that was new every morning, by sparing himself a long walk, and
the loss of much time, now more valuable than ever.
Public-domain text, read in full here on John Shaqi.
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