All are wrong. The spirit of sound culture will recognize the whole nature of man and the solidarity of all his parts, and will insist on respecting that unity, if his true development is to be accomplished. For this reason it will strive to render the pleasures of the senses and emotions as intellectual as possible; and with not less earnestness will aim to keep the pleasures of the intellect in touch with the emotions and the senses. Its principle will be that the more intimately the gratifications of sense are infused with emotion and thought, the more they will be both purified and strengthened; and the closer the web into which we can weave the austere joys of the reason along with the emotions and the feelings, the more sympathetic, wide-reaching, and ennobling will those joys become. As the ancient mason mingled water from the sky with clay from the earth to make the bricks wherewith to build the temple, so the permanent structure of human progress can be erected only by combining in due proportion the extremes of man’s delights. A real though mysterious bond unites sense with that which is above and beyond sense. Toward this Unknown it is ever striving, though blindly and unconsciously. In lower forms of life this has led to that marvelous series of transformations which, at last, have reached their culmination in man. In him the struggle no longer expends itself in physical changes, but frames the ideals which float before his mind, constantly spurring him to attempt the impossible. Rest assured that the analogy which holds good throughout all organic nature fails not in him, its most perfect production. Somehow, by unknown ways and under the guidance of unseen laws, his unwearying effort to discover the invisible in the visible, the permanent in the transient, the ideal in the real, will infallibly lead him in triumph to the final goal of all Life. Whenever, without ulterior aim and for its own sake, we give ourselves up to the admiration of some grand scene in nature or masterful production of human art, we feel and recognize how near to us, how much a part of us, is that invisible and ideal world in which are set up the goals of man’s noblest aspirations. To unite these opposites, to illuminate the pleasures of sense with the light of the ideal, and, on the other hand, to capture its evanescent rays by entangling them in material enjoyments, is the final precept of the Art of Happiness. * * * * * Anthropology, the Science of Man, is the point of convergence of all the other sciences; and the one aim of the Science of Man is the Happiness of man; thus the Pursuit of Happiness is the end of all pursuits. Pope displayed the inspiration of the poet when he devoted the final epistle of the Essay on Man to a discussion of, “Happiness, our being’s end and aim.” * * * * *