"I am plumb wore out looking at nothing but clifts and hillsides and
creek-beds for sixty year," she said aloud, resentfully. "'Pears like I
would give life hitself to see something different."
She switched the old nag sharply, and could hardly wait for the first
glimpse of the "cloth houses."
They came in sight at last--a cluster of white tents, one above
another, near the top of a spur overlooking the courthouse and village.
Drawing nearer, she could see people moving up the zigzag path toward
them. Leaving the beans across her saddle, she did not even stop at the
hotel to see her daughter, Cynthia Fallon, but, flinging her bridle
over a paling, went up the hill at a good gait, baskets on arms,
and entered the lowest tent with a heart beating more rapidly from
excitement than from the steep climb.
The sides of this tent were rolled up. A group of ten or twelve girls
stood at one end of a long white table, where a strange and very
pretty young woman, in a crisp gingham dress and large white apron,
was kneading a batch of light-bread dough, and explaining the process
of bread-making as she worked. Men, women, and children, two or three
deep, in a compact ring, looked on. Gently pushing her way so that she
could see better, Aunt Ailsie was a little shocked to find that the man
who gave way at her touch was none other than Darcy Kent, the young
sheriff, and Fult's archenemy.
After the dough was moulded into loaves and placed in the oven of a
shining new cook-stove, most of the crowd moved on to the next tent,
which was merely a roof of canvas stretched between tall trees. Beneath
was another table, and this was being carefully set by two girls, one
of whom was Charlotta Fallon, Aunt Ailsie's granddaughter.
"The women teached me the pine-blank right way to set a table," she
said importantly to her granny, "and now hit's aiming to be sot that
way every time."
The smooth white cloth was laid just so; the knives, forks, spoons, and
white enameled cups and plates were placed in the proper spots; even
the camp-stools observed a correct spacing. There were small folded
squares of linen at each plate.
"What air them handkerchers for, Charlotty?" inquired Aunt Ailsie,
under her breath.
"Them's napkins, granny," replied Charlotta in a lofty tone.
"And what's that for?" indicating the glass of flowers in the centre
of the table. "Them women don't eat posies, do they?"
"Hit's for looks," answered Charlotta. "Them women allows things eats
better if they look good. I allus gather a flower-pot every morning and
fotch up to 'em."
Soon Aunt Ailsie and the crowd went up farther, to a wider "bench," or
shelf, where the largest tent stood. Within were numerous young men and
maidens, large boys and girls, sitting about on floor or camp-stools,
talking and laughing, and every one of them engaged upon a piece of
sewing. Another strange young woman, in another crisp dress, moved
smilingly about, directing the work.
Public-domain text, read in full here on John Shaqi.
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