Aunt Ailsie ran down to the fence. "S-sh--don't talk so loud; there's a
sick man a-laying in there asleep," she said. "I'm proud you come, for
your grandpaw has tuck a notion to lend them quare women a cow, and you
can drive her back with you. And, another thing, Fulty, he has studied
on hit and made up his mind to let me get larning,--enough to read
Scripter, anyway,--and which I'm a-coming in to-morrow to take my first
lesson!"
"I'm glad for you, granny," said Fult, heartily, "and I'd take the cow
right back, now, but I'm on my way to see what has happened to the
singer the women sont out for, that ought to have got in last night.
But the rains have been so bad I allow traveling is pore, and Uncle
Adam's wagon is maybe stalled in a quick down Troublesome, and I told
the women I'd ride down a piece and see. But I'll come for the cow
later in the day--soon as dinner's over, maybe."
Returning to the house, Aunt Ailsie tiptoed into the room where Jeems
slept, and came out with a large armful of his clothes over her arm.
These she threw on a chair in the kitchen-house, then held up the coat
and trousers, with a deep sigh.
"Hain't hit a pyuore pity, now, for a man-person to start out
a-courting in sech gear?" she exclaimed. "Pore creetur, the babe has
puked up hits milk all over him from head to foot, and the dust has
got kotched in the spots, till nobody wouldn't be able to tell the
color of his coat and breeches. And them fine linsey, too, that Mallie
weaved herself out of black sheep's wool for him."
She went to work with hot water and soft soap, repeatedly sousing
the coat and trousers and socks, and rubbing them with her hands
(washboards were an unknown luxury). Then, having cleansed and rinsed
them, she hung them out in the July sun to dry, and turned her
attention to the hat, which was the usual broad-brimmed black felt of
the mountain man.
"Eh law, hain't hit a picter of misery!" she said, holding it out: "the
brim all a-flopping, like hits ambition was plumb gone."
She scrubbed and cleaned it, and then took a flatiron and pressed the
brim carefully while it was still damp, until it took on quite a jaunty
stiffness.
Then came the shoes. The deeply caked mud was scraped and washed off,
and a mixture of lard and soot generously applied.
By ten o'clock the suit was sufficiently dry to be pressed, and a truly
artistic job was made of it.
Public-domain text, read in full here on John Shaqi.
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