The Quarterly Journal of Science, Literature and the Arts, July-December, 1827Various
Science
The Quarterly Journal of Science, Literature and the Arts, July-December, 1827
Various
Arts -- Periodicals; Science -- Periodicals; Technology -- Periodicals
The lecture was closed by some extracts and quotations from Lomazzo,
Dryden, Hogarth, Du Fresnoy, and the Abbé du Bos; the tendency
of which was to show that lines had been mentioned, and had been
written upon without any explanation given that could lead to certain
conclusions. That all these authors attributed to supreme genius
alone, and something of the divinely inspired character in artists,
the power to produce those indescribable lines that affect the human
eye so strongly. These lines I described as belonging to the oval and
the ellipsis, and the confluent lines by conjunction and combination;
that these indescribable lines, which from Plato to Dryden had never
been detected or obtained a name; that puzzled all equally alike, are
those alone I attempted, and I believe proved in this lecture, to be
the elliptic combinations.
I stated that the great Greek artists confined themselves to certain
rules and principles of unerring consequences in the production
of beauty, grace, or grandeur in their figures; that all their
compositions depended upon the same species of rule and order. I
pointed out, that fashion is in all countries the destroyer of
taste, that it unfits the mind for fixed principles; that where it
dominates, _there_ taste will be always fluttering and never settle,
nor have a sure dominion. The Greeks, having no such vile tormentor
to divert them from a pure course in their progress, arrived at the
summit of perfection in every scientific pursuit, by following sure
principles as their guides, and by never abandoning a path traced by
nature, and matured by the most sublime philosophy.
FOOTNOTES:
[1] A great number of geometrical diagrams were exhibited, from a
single line, to angles, squares, oblongs, circles, ovals, cones,
cylinders, spiral lines, and various serpentine lines, &c.
[2] The whole extent of the tazza, including the projection of the
handles, should be seven parts; and the height of the vase two of
such seven parts.
[p015]
_On the Art of forming Diamonds into single Lenses for
Microscopes_.—By Mr. A. Pritchard.
[Communicated by Dr. GORING.]
Public-domain text, read in full here on John Shaqi.
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