The spine and the ribs are occasionally bent so as to have some resemblance to the back of a spoon. In such cases, the shoulders not only appear high and round, but the lower angles of the scapulæ project in an extraordinary manner, because the upper and anterior angle is not only unsupported by the ribs, but is dragged forwards by the clavicles which are carried in the same direction with the sternum. When this is to a considerable extent, it constitutes the _contracted chest_ or the _chicken breast_. This, in a slight degree, is common in London, and especially among young lads; it may be discovered by the coat having the appearance of being more worn opposite the lower angle of the scapula than at any other part. Such a condition of the chest can only be completely remedied by appropriate exercises; but a collar is here necessary for a time, to keep the bones in the improved condition into which they are brought by the exercises. These arguments will probably appear sufficiently well founded to prove that a girl, under ordinary circumstances, [p245] cannot hold her head or shoulders back, unless the muscles by which they are naturally supported are in a proper condition. Various contrivances have been proposed to strengthen these muscles. Dumb bells, if managed in a particular manner, are good; skipping, when the arms are thrown backwards and over the head, is still better; the exercises, called Spanish exercises, performed with two long poles, are also useful, but to each of these there may be objections, as they all operate more or less on the spine or ribs, which, in case of a bad stoop, are generally affected. The following anecdote will, perhaps, set the question of the propriety of wearing the back collar in a correct point of view. A surgeon was consulted by a gentleman, who is now one of our first tragedians, as to the best mode of correcting a stoop which he had acquired. The surgeon told him that neither stays nor straps would do him any essential good; and that the only method of succeeding was to recollect to keep his shoulders braced back by a voluntary effort. But the tragedian replied, that this he could not do, as his mind was otherwise occupied. The surgeon then told him that he could give him no further assistance. Shortly after this conversation, the actor ordered his tailor to make a coat of the finest kerseymere, so as to fit him very tightly, when his shoulders were thrown back. Whenever his shoulders fell forward he was reminded by a pinch under the arms, that his coat cost him six guineas, and that it was made of very fragile materials; being thus forced, for the sake of his fine coat, to keep his shoulders back, he soon cured himself of the stoop. The surgeon was much obliged to him for the hint, and afterwards, when consulted whether young ladies should wear shoulder straps, permitted them, on condition that they were made of fine muslin, or valuable silk, for tearing which there should be a forfeit.