From that period, the commencement of the eighteenth century, every succeeding year brought forth new objects of the gardener’s care, and improved operations for his imitation. The acquirements of natural science, radiating from such a character as Sir Hans Sloane, whose theories were imbibed and confirmed by the practical abilities of Philip Miller, were, at that time, like the orb of day bursting from behind a cloud! Scientific light and practical life were shed on all around, and the foundation was then laid, by their united means, on which has been raised almost all the varied structure of modern horticultural improvement. It would be impossible, as needless, to give the names of the authors, who, from this period, showed themselves in print on the subject of gardening, for, were the respective merits of their literary labours noticed, and the successive discoveries and advances chronicled, the amount would be voluminous indeed. But the following celebrated names cannot, in justice to their memories, be omitted. The great Linnæus was deservedly at the head of the botanical branch of gardening; Miller, with his satellites, Gordon, Lee, and Aiton were at that of practical botany, as well as of all the other parts of operative gardening; and, as a leading orchardist, Kennedy, and many others on miscellaneous subjects, produced respectable directories and kalendars. The improvement of ornamental gardening kept pace with that of the more useful. Soon as the old style of rigid formality had been exposed, it was exploded; more refined principles of taste prevailed; its outlines became better defined; it was found that there are certain fixed principles in nature, on which the elements of true taste are naturally (not capriciously) founded; that delight and gratification to the eye, or mind, can only arise from the harmony and fitness of the combinations of art or design; that the sensations of beauty and sublimity can only be conveyed by congruous associations of parts to the whole; and that the incidents found in [p269] conjunction in nature, should be the objects of imitation of the gardener’s, as they had long been that of the painter’s art, with this exception, that in the immediate vicinity of the mansion as much of the old style should be retained as will harmonize with the necessary artificial façade of the architecture; but soon as departed from these creations of art, let then appear the varied flow of nature’s devious garb.