There is, however, often occasion, in such cases, for a certain degree of metaphor approaching to poetical latitude; and hence it may happen that the least literary nations are sometimes the most poetical. It is, in fact, impossible to exclude metaphor altogether from the most prosaic language; and it is frequently difficult to say where metaphor ends and strict logical prose begins; but by degrees the metaphor drops, and the simple figurative sense is retained. Thus we may say _liquid ruby_ with the same exact meaning as _crimson wine_; and yet _ruby_ would never be called an adjective, though employed merely to express the colour: in _coral lips_, however, the _coral_, first used metaphorically, is converted by habit into an adjective, and the expression is considered as synonymous with _labri corallini_. The general custom in English is to place the figurative substantive, used as an adjective by comparison, or by abstraction, before the name which retains its proper sense: thus a chestnut horse is a chestnut like or chestnut coloured horse; a horse chestnut is a coarse kind of chestnut: and in this manner we are enabled to use almost every English noun substantive as an adjective, by an ellipsis of the word _like_, which, [p095] if inserted entire or abridged, would make a real adjective of the word, as war_like_, friend_ly_. But this omission of the termination, like other figures of speech, is easily forgotten in the ordinary forms of language; and the Germans, as well as the English, make use of almost all their substantives in the place of adjectives, though they are more in the habit of continuing them into single long words. When, however, the substantives are so used, they generally become by abstraction real adjectives: for we seldom think of a _chestnut_, in speaking of the colour of a horse; but the idea of a light brown coat, with an ugly pale-red mane and tail, and a fidgety temper, is very likely to occur to us: and in a horse chestnut the idea of a horse is out of the question; we only think of a coarse fruit which a man cannot eat: so that the true sense, in both these instances, is that of a quality; but _coral lips_ and _ivory hands_ are rather elliptical expressions, composed of two substantives, which might fairly be represented hieroglyphically by the assistance of a branch of coral and an elephant’s tusk. But to describe an abstract quality by any hieroglyphic character, representative of form only, would be generally impossible: colours might be imitated, if we supposed coloured figures to be employed; but other simple ideas, such as those of sound or touch, could never be immediately presented to the eye; and some circuitous invention would always be required for their representation.