than he was that Madden was quite wrong in _all_ he affirmed, and Hardy quite right in _all_ he denied. The attention which had been drawn to Matthew Paris by this remarkable controversy could not but have its effect in awakening a desire for that critical edition of the larger Chronicle which Dr. Luard had been so long preparing. The way was cleared for such an edition now; it was not likely that any more MSS. of the author would be discovered. Such as were deposited in the various libraries had been carefully scrutinized, or their homes were known, and the long years of preparatory study had been turned to good account--no pains had been spared nor any labour grudged. In 1872 the first volume of the 'Chronica Majora' appeared in the 'Rolls Series.' In 1884 the seventh and last volume was issued, containing the learned editor's last preface, glossary, and emendations, and an Index to the whole work, extending over nearly 600 pages. It is a long time since an English scholar has had the good fortune to carry to its completion so important a work as this, projected on so large a scale, executed with such conscientious care--characterized by so much critical skill and scrupulous accuracy--all this achieved single-handed in the midst of other duties, professional and academical, which would be quite sufficient to exhaust the energies of an ordinary man. Now that the work has been done, and done so thoroughly that it may safely be asserted the _standard edition_ of the 'Chronic Majora' has been published once for all, we are in a better position than we ever were heretofore for taking a survey of the life and labours of its author, and for answering the enquiries which of late have been made with increasing frequency, and made too among those who might have been expected to be able to answer them. Who and what was Matthew Paris? What did he do, and what did he write that the learned few should speak of him with so much reverence, though to the unlearned many he is little more than a famous and familiar name? Perhaps before dealing with his personal history, or entering into any examination of his literary labours, it will be well first to answer the question--_What_ was Matthew Paris? for it is simply impossible to estimate rightly the debt we owe to him, or to understand the brief account that could be drawn up of his career till we have learned to know something of the _profession_ to which he belonged, and the great foundation of which he was so distinguished an ornament. By profession Matthew Paris was a monk. A monk 'professed' is a term indicating the higher grade to which not every brother in a monastery attained. The very term 'profession' may be traced to the cloister. In its usual acceptation it is modern.