the monk who decorated the grand new guests' hall _deliciose_, as we are told, and who painted pictures and carried out other works of embellishment at a pace which none could have kept up, but that he had his father to help him with his brush, and another artist, John of Wallingford, to carry out his great designs, and many more skilled limners whose names have gone down into silence. When Abbot William's reign came to an end, the monks were unanimous in choosing John of Hertford as his successor, and the new Abbot lost no time in showing favour to Matthew Paris. Next year Roger de Wendover died, and who could there be so worthy to succeed him as historiographer as the versatile and accomplished brother, who by this time was the boast of the great house? And historiographer accordingly Matthew became--_mutatis mutandis_, a sort of 13th-century editor of the 'Times;' his business was to gather from all points of the compass, if not the latest news, yet the best and most trustworthy reports upon whatever was worth recording. He had his correspondents all over Europe, and that he sifted the evidence as it came to him we know. Wherever there was any great event that deserved a place in the Abbey Chronicle, some splendid pageant to describe, some battle, or treaty, or pestilence, or flood, or famine, straightway tidings came to the vigilant historiographer; and there was a comparison of the evidence brought in, and some testing of witnesses, and finally the narrative was drawn up and incorporated into Matthew's history. Again and again it happened that a great personage who, while himself _making_ history, was anxious that his own part in a transaction should be represented favourably, would try and get the right side of the famous chronicler, and would furnish him with private information. Even the King himself thought it no scorn to communicate facts and documents to Brother Matthew. Once when Henry saw him in a crowd on a memorable occasion, he picked him out, and bade him take his seat by his side, and see to it that he made a true and faithful report of what was going on; and it is evident that the royal favour which he enjoyed through life must have extended to furnishing him with many a story and many a detail which none but the King could have supplied. The minute account of the attempt to assassinate Henry in 1238; the curious State paper giving a narrative of the dispute between the King and his nobles in 1242; the strange scene at the tomb of William Marshall in 1245, and scores of other incidents in the career of Bishop Grossteste and Richard of Cornwall, were evidently 'inspired,' and can only have come from eye-witnesses of the events recorded. Nevertheless Matthew, though he was willing enough to receive information, and to utilise facts and documents, was by no means the man to reproduce them exactly in the form in which they came to him. More than once he ventured to remonstrate with the King, and