The Queen of the Savannah: A Story of the Mexican WarAimard, Gustave
History
The Queen of the Savannah: A Story of the Mexican War
Aimard, Gustave
Mexico -- History -- Wars of Independence, 1810-1821 -- Fiction
Still, although this examination lasted for several minutes, and Don
Aníbal, through bravado, prolonged it far beyond what was necessary,
the deepest silence continued to prevail, and not a leaf stirred.
"Come," the hacendero said in a sarcastic voice, as he drew himself
up, "you are mistaken, Sotavento, there is no one here. I was a fool
to believe for a moment that these brutes would attempt to dispute our
passage."
"Well, well," the majordomo said with a grin, "¿quién sabe? mi amo,
¿quién sabe? These brutes, as you very correctly term them, have not
left their prairies so long as to have completely forgotten their
Indian tricks."
"I care little," the hacendero answered drily, "what their intentions
or the tricks they have prepared may be; dismount and help me to roll
over the precipice these trees which obstruct the path; at a later date
we will proceed to punish the persons who have thus dared to barricade
the king's road."
Sotavento hung his head without replying, and prepared to obey; but
before he had drawn his foot out of the stirrup the branches parted,
and in the space thus left free appeared a man wearing a gold-laced
hat with a military cock, and holding in his right hand a long
silver-knobbed cane.
As this individual is destined to play a certain part in this
narrative, we will draw his portrait in a few lines.
He was a man of lofty stature, with marked features and an intelligent
physiognomy. His black eyes, sparkling like carbuncles, and full of
cunning, had a strange fixity, which gave him, when any internal
emotion agitated him, an expression of cold ferocity impossible to
describe. His complexion, which was of the colour of new red copper,
allowed him to be recognized as an Indian at the first glance; although
he had passed midlife, it was impossible to decide his age, for he
seemed as vigorous and active as if only twenty years old; not a
wrinkle furrowed his brow, not a single gray hair was perceptible in
the thick black masses which fell in disorder on his shoulders.
Excepting his gold-laced hat, and his silver-mounted cane, which were
the emblems of his rank as cacique or alcade of the aldea, his dress
was very simple, and only consisted of worn velvet calzoneras, which
but half covered his bare legs, and a gaily coloured zarapé, which was
thrown over his shoulders.
Still, in spite of this miserable garb, this man had about him such an
air of haughty dignity and innate superiority, that, on seeing him, his
ridiculous attire was forgotten, and involuntary respect was felt for
him.
This person was, in fact, the chief of the Red Buffaloes, their
cacique, to whom the governor of the province had given the title of
alcade.
His name was Mah-mih-kou-ing-atl, not a very euphonious name; but, like
all Indian titles, it had a meaning, and signified literally "Running
Water."
Public-domain text, read in full here on John Shaqi.
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