The Queen of the Swamp, and other plain AmericansCatherwood, Mary Hartwell
General
The Queen of the Swamp, and other plain Americans
Catherwood, Mary Hartwell
Short stories, American; United States -- Social life and customs -- Fiction
John and Eck Davis had collected logs and chunks and spread robes and
blankets until the seating capacity of the camp was nearly equal to
that of George’s Chapel. Some of the girls took off their wraps and
hung them in the bark house. One couple carried away a bucket for more
sugar-water to cool a kettle, and other couples sauntered after them.
There were races on the spongy dead leaves, and sudden squalls of
remonstrance.
Jane Davis stood in the midst of her company, moving a long wooden
stirrer in the kettle about to sugar-off. Though her beauty was neither
brown nor white, nor, in fact, positive beauty of any kind, it cajoled
everybody. Her hair was folded close to her cheeks. There was innocent
audacity in the curving line of every motion she made. The young men
were so taken by the spell of her grace that she was accused of being
unrighteously engaged to three at once, and about to add her cousin Tom
Randall to the list.
Tom Randall was a Virginian, spending the winter in Ohio. He was
handsome, merry as Mercutio, and so easy in his manners that the Swamp
youths watched him with varying emotions. He brought his songs over the
mountains: one celebrated the swiftness of the electric telegraph in
flashing news from Baltimore to Wheeling; another was about a Quaker
courtship, and set all the Swamp girls to rattling the lady’s brisk
response,--
“What care I for your rings or money,--
Faddle-a-ding, a-ding, a-day;
I want a man that will call me honey,--
Faddle-a-ding, a-ding, a-day!”
Tom Randall sat close to the fire, hanging his delicate hands, which
had never done a day’s chopping, over his knees. He looked much of a
gentleman, Nora Waddell remarked aside to Philip Welchammer. To all
the girls he was a central figure, as Jane was a central figure to the
young men.
But Philip claimed that Virginians were no nearer perfection than
out-and-out Swamp fellows.
“I didn’t say he was a perfect gentleman,” said Nora, with cautious
moderation, “for I wouldn’t say so of any man.”
“He ain’t proud,” admitted Philip. “He’s free to talk with everybody.”
“Humph!” remarked Mary Thompson, sitting at the other side of Philip;
“he ought to be. Folks in Georger Chapel neighborhood is just as good
as anybody.”
“Well, anyhow, I know he ain’t a prettier dancer than Jane,” sighed
Nora, whose folks would not allow her to indulge in the godless motion
which the music of a fiddle inspires. While Jane stirred and chatted,
she was swaying and taking dance-steps, as if unable to refrain from
spinning away through the trees. In this great woods drawing-room,
where so many were gathered, it was impossible for her to hear any
comment that went on.
“Jane makes a good appearance on the floor,” responded Philip, who,
being male, could withstand the general denunciations of the preacher
and his mother’s praying at him in meeting. “I like to lead her out to
dance.”
Public-domain text, read in full here on John Shaqi.
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