The Queen of the Swamp, and other plain AmericansCatherwood, Mary Hartwell
General
The Queen of the Swamp, and other plain Americans
Catherwood, Mary Hartwell
Short stories, American; United States -- Social life and customs -- Fiction
Alanson was not uncomfortable while he waited. His aunt kept house
for him at his homestead, where he had several barns, a milk-house,
a smoke-house and all modern conveniences around him. He felt his
value with everybody but Wilda. The youngest girls showed him no
discouragement. There was a sonorous pomp about his singing in meeting
which affected every rural nature, while his Adam’s apple, like a
sensitive lump of mercury, trembled up and down its inclosure. Some
folks thought Alanson Bundle ought to have been a preacher. He would
look so nice standing in a pulpit, with his hair sleeked up in a
straight roach, saying, “Hence we discover, my brethren.” But Wilda
Coon never had made any fuss over him. And for that reason he followed
her with abject service.
In that early year of the fifties a great many people about the Rocky
Fork had locks on their doors. But a tow latch-string hung out for
Wilda Coon, and with it she lifted the wooden latch of her dwelling.
At night, for security, she would draw the string inside, and slip a
wooden bar into staples across the thick board portal.
The tight-chinked cabin had the strangest interior on the Rocky Fork.
There was only one room, and the hollow of the roof rose up in a
cavernous arch without joists. Two wooden bars were, indeed, set high
across one corner, but they served as roosts for chickens who had
already taken to them for the night, and who stirred quavering as Wilda
shut the door and emptied a gourd.
Before the fire, yet not too near it, was a trundle-bed which could be
pushed anywhere on wheels.
She dropped her hood and shawl upon a chair and slipped toward the
trundle-bed, motioning back a great mastiff who kept guard at the
hearth. He sat down again and licked his lips; the glory of burning
logs in the fireplace was enough to content any dog, for that cabin
seemed to have the sunset imprisoned within it. Calico curtains on the
four-paned windows hid darkening woods outside.
“O Sweetness!” whispered Wilda, bending over the trundle-bed and
scarcely daring to touch the patchwork quilt. Her eyes were full of
kisses and fondling for her only baby, the helpless being who reversed
for her the maternal relations. It was a little old woman, whose apple
face had shriveled into puckers only around the corners of the eyes and
mouth. A dimity nightcap tied it in, almost covering white silk threads
of hair. This helpless mother, lying in the dead alive state we now
call paralysis, and the Rocky Forkers then called palsy, was the secret
delight of Wilda’s heart, and Alanson Bundle’s only rival. But she
concealed her fondness like a crime. The name of Sweetness was sacred
to that hollow cabin. Bounce could make no remark about it, and he was
the only safe auditor in an age when excess of loving was considered
weakness.
Public-domain text, read in full here on John Shaqi.
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