The Queen of the Swamp, and other plain AmericansCatherwood, Mary Hartwell
General
The Queen of the Swamp, and other plain Americans
Catherwood, Mary Hartwell
Short stories, American; United States -- Social life and customs -- Fiction
“Now, that kiss will make you a better man all your life.”
SERENA
TIME, 1860
Serena Hedding drove through the gateway of her father’s farm, while
her little son held the creaking gate open. Her vehicle was a low
buggy, with room at the back for a sack of nubbins, which the scrawny
white horse would appreciate on his return trip. The driver was obliged
to cluck encouragement to him as he paused, with his head down, in the
gateway; and before he had taken ten steps forward, before Milton could
stick the pin back in the post-hole and scamper to his seat at her left
side, she lived her girlhood over. She saw her father holding that gate
open for camp-meeting or protracted-meeting folks to drive in to dinner
with him. She saw Milton Hedding ride through to court her, and the
scowl her father gave him; and the buggy which waited for her in the
woods one afternoon, herself getting into it, and Milton whipping up
his horse to carry her away forever.
The road wound, folding on itself, through dense woods. Nothing had
changed about the road. She noticed that the old log among the haw
saplings remained untouched. That log was a link binding her childhood
to her girlhood. She sat on it to baste up the hem of her ridiculously
long dress before going to school, her dinner-basket waiting near; and,
coming home in the evening, she there ripped the basting out, lest Aunt
Lindy should notice that her skirt did not flop against her heels, as
proper skirts had done in Aunt Lindy’s childhood. Seated on that log,
she and Milton had talked of the impossibility of their marriage, and
decided to run away.
It was so near sunset that the woods were in mellow twilight. She heard
the cows lowing away off, and a loaded wagon rumbling over the Feeder
bridge. The loamy incense of this ancestral land was so sweet that it
pained her. Soon the house would come in sight, and seem to strike her
on the face. If they had altered it any, she did not know it. Was her
father’s sick-bed downstairs, or did Aunt Lindy keep him above the
narrow staircase? The slippery-elm tree she used to wound for its juicy
strips started out at the roadside to give her a scarry welcome. Her
fingers brushed her cheeks, and drew the black sunbonnet farther over
them.
“What’s the matter, mother?” inquired her light-haired boy. “Are you
feared grandfather’s worse?”
“I hope he ain’t,” replied Serena. Then the house, on its rising
ground, appeared, crossed by trees. It had a yard in which lilac bushes
and tall hollyhocks bordered the path. The gate opened into an orchard,
and the orchard was guarded from the lane by bars, which Serena’s
little boy let down, and they drove in.
Her father’s barn was one of those immense structures which early Ohio
farmers built to indicate their wealth. It had always seemed bursting
with hay and grain, and the stamp of horses resounded from its basement
stables.
Public-domain text, read in full here on John Shaqi.
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