The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
General
The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
Need we say that it was Chastelâr who was at hand to save; that it was
his grasp which plucked the Queen from her falling supporter at this
critical juncture; and that for a few blissful moments, worth to his
delirious fancy whole ages of torture, the love-stricken poet for the
first and last time bore the precious form of Mary Stuart in his arms?
Slowly, carefully, gently, he waded with her to the land; not a word
was spoken--not a look exchanged; the Queen’s face was cold and
impassive as marble, and Chastelâr, in the tumult of his love and
his despair, was conscious but of one frantic wish, that the waves
would rise over their heads and cover them, and they might be at rest
fathom-deep down there together for evermore.
CHAPTER XX.
‘Night by night must I pace the shore,
Longing, lingering, to and fro,
Questioning, “May I not see her once more,
Alice of Ormskirk?” answering--“No!”
‘And still the echoing sea-cave rings
With one unceasing pitiless strain;
And still the wild wave dashes and sings--
“Never again, love! never again.”’
The episode of idolatry and madness was fast drawing to a close. When
the Queen and her household went to establish themselves in the lodging
where they designed to pass the night, Chastelâr remained on the
beach, apparently unconscious of all about him, gazing out to seaward,
as a man does who is utterly lost to the interests and occupations of
the shore. Amongst the many mysterious sympathies that connect natural
objects so inexplicably with the mind, there is a strange affinity
between human sorrow and the watery element--be it the gentle ripple of
a running stream, or the dash and recoil of the mounting wave breaking
on the beach, or the dark-blue line of a sea-horizon clear against the
sky.
There is some morbid attraction to mortal grief in the contemplation of
each of these; there is something that takes man out of himself, and
though it speaks not of hope or consolation, seems to promise oblivion
and repose at last. Ay, we love to prate of the beauties of nature, to
enlarge upon the pleasures of smiling skies and gorgeous landscapes and
magnificent scenery. Are we quite honest about the effect produced by
such objects? and can we declare that they create sensations of unmixed
gratification? On the contrary, most of us, if sincere, will confess
that when we were happy, we took very little notice of them; and it was
but in some keen, hopeless sorrow we turned to nature for an anodyne,
and found she added sharpness to our pangs and mocked us with a smile
as she poured fresh venom into the wound. No; if we would be consoled,
we must look to where the running stream loses itself in the ocean that
we have never seen; we must carry our thoughts athwart the far horizon
in search of the eternal shore; we must strain our eyes to pierce the
smiling heaven, and catch if but a glimpse of the undying world beyond.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account