The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
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The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
What were the poet’s dreams in that short welcome rest? Did he
anticipate the great change, and fancy his spirit already free from its
prison, wandering through those unknown regions which good Eneas, and
rich Tullus and Ancus, and your grandfather and mine, and a host of
those we both knew and valued, and would have followed into any danger,
or on any expedition, have ere this thoroughly explored--to which you
and I, though we think so little about it, are bound just as surely
and inevitably, and with which to-morrow, or the day after, or this
time next year, we may be familiarly acquainted? Or did he retrograde
to the past, and revel and ruffle it at Holyrood once more, riding
the sorrel horse alongside of ‘Black Agnes,’ and sunning himself in
the bright eyes of the Maries, and above all the smiles of her their
peerless Queen? Perhaps a vision of that face he had worshipped so
fondly shone on him for the last time kindlier and lovelier than it had
ever appeared in reality, and to wake from such a dream as that was so
bitter that even death became welcome as promising sleep again.
The knocking on the scaffolding failed to arouse him, and when Ogilvy
went gently into his cell with a torch, the soldier passed the light
half-pitifully, half-admiringly, over the manly face that could look so
calm and peaceful at such a time.
And in the royal house in the south street, within a culverin’s
distance of the castle, were all the inmates sleeping soundly at the
dawn of that gloomy morning? Was that a bed of rest, on each post of
which was carved a crown, and at the head of which the arms of Scotland
were emblazoned so richly in embroidery and cloth of gold? Was the
lovely face, so flushed and troubled, thus buried in the pillows to
exclude the light of day; were the white hands pressed against the
throbbing temples and covering the beautiful little ears, in dread of
the morning gun which would be fired at sunrise, and tell that all was
over?
It was no fault of Mary Stuart’s that Chastelâr was doomed. All that
lay in her power had been done to save him; all that royal dignity and
womanly shame would permit. Perhaps she believed him to have escaped
even at the last; she would hardly guess at such infatuation as he had
shown even in _him_, and yet the victim’s sleep had probably been far
sounder than hers for whom he was about to die.
Lights were burning in the Queen’s chamber, heavy curtains at the
window excluded the faintest glimpse of dawn, yet she was turning and
tossing restlessly on her couch, while Chastelâr was pacing in grave
composure up the dungeon-stair that led into the gray morning, the last
he would see on earth.
Public-domain text, read in full here on John Shaqi.
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